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| Gabriel Cazali |
nice sound quallity mate !!!
but i think it needs more elements to make the track more interesting
keep working on this track |
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| EddieZilker |
I like the cleanliness and the ideas but the drop left me a little high and dry. I genuinely hate it when people come up with these great ideas on their breaks that are collapsed for the sake of percussive expediency when they get to the drop. It feels like the producer is telling me, "Yo, I had this really great idea but don't have the skills to pull this off, so I just decided to phone the rest of it in."
No! Don't do that. Have a melodic hook on the break? Great. Build the drop around that. Don't kill the hook just because you've worked yourself into a corner with it. What makes a song is figuring your way out of those corners. |
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| darthseph |
I hear what Eddy is saying a lot on this one. The ideas are their but the transitions don't work to well. Look to expand that.
Also, pull your ears out after a fresh couple of days off... then go ahead and give it the proper once over. I'm not criticizing the mix-down really. It's clean, but... the overall presentation feels out of whack to me. Like I wasn't sure if I should turn it up during the builder out of the break... or if I should leave it. Try and get the sound a bit more even in the spectrum. You still want it to breathe (ie no Master bus compression!), but you don't want the break so quiet instruments can't be heard! |
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| Vernon Wanderer |
Love the kick drum programming on this one, that would work great in the club. 
Great work on that part, the breakdown is good but I agree with Eddie about the buildup.
Regardless, nice track. |
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