Originally posted by Looney4Clooney
kinda wondering how you managed to spend 20 years and thousands of dollars of gear and still sound like rebirth. Never ceases to amaze me how people can manage to be so bad yet think they are so good.
this
tehlord
quote:
Originally posted by wayfinder
i was a fan back in 1993 :)
and i made this which i swear was not an intentional rip!
not alone :) i did some auxiliary graphics (mostly the part flying through the nebulae with the shapes in it, all the really great stuff was done by aTom) and the soundtrack. this is actually a real-time executable (tech like in a video game), and i did none of the coding either... the physics simulation and the mandelbulb in particular are really intricate pieces to do in realtime, or were in 2010 when this came out. I'm very lucky to work with awesomely talented friends on projects like this.
sorry Rolf i didn't mean to derail the thread.
sleeping
Big fan of your work. The RMB-project was a great inspiration for me when i was younger. I always wondered about your track "Matisse". How come you used samples from Ronia the Robber's Daughter? Were you fans of the movie? I think it works great but i always thought it was a bit strange;)
Richard Butler
Rolf has a big open sound I can only dream of.
Rodri Santos
for me even that it's not the kind of stuff i really like it sounds OK.
LiL-B
I used to play Redemption 2.0 and Spring 2003 with Talla
aquila
quote:
Originally posted by wayfinder
i was a fan back in 1993 :)
and i made this which i swear was not an intentional rip!
Wow is this what the demoscene has evolved into? I still like to watch Sanity's World of Commodore gem from time to time.
wayfinder
quote:
Originally posted by aquila
Wow is this what the demoscene has evolved into? I still like to watch Sanity's World of Commodore gem from time to time.
trivia: same coder :)
Lolo
quote:
Originally posted by clay
could u tell me what was the "normal" gear in the early german happy hardcore/rave era? I really loved the sound from the time, around 94, so fresh, open, dynamic, almont no compression and everytging was sounding awesome. example members of mayday - we are different, and marusha - raveland f jones remix and your very own redemption, cause the german sound didnt sound very 909/303 roland like everything else did at the time. did u use more samplers/workstation-synths instead? mixing consoles? maybe post some early studio pics?
Akai S sampler, Roland JD 800, SH101, Juno 2, and a few others from Kurzweil and Korg.
aquila
quote:
Originally posted by wayfinder
trivia: same coder :)
