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Above&Beyond - Whalter White: how?
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| Storyteller |
| Ohhh it sounds nice :) |
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| Microlab |
| quote: | Originally posted by Storyteller
Ohhh it sounds nice :) |
Haven't you heard it yet? |
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| Storyteller |
The track of figuring out the SFX?
Haven't heard the track before. I usually listen to different music.
The SFX that appears every time the lead goes up seems like a different sound to me. Like a pad, sidechained to an odd rythm and a bandpass filtered downwards. |
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| Microlab |
| quote: | Originally posted by Storyteller
The track of figuring out the SFX?
Haven't heard the track before. I usually listen to different music.
The SFX that appears every time the lead goes up seems like a different sound to me. Like a pad, sidechained to an odd rythm and a bandpass filtered downwards. |
But it sounds somehow "connected" to the lead, as if reverb send signal..just thinking |
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| Storyteller |
It could be. Of course it is a proper production so you might just be tricked into thinking it is ;).
The sfx itself plays just one chord (unlike the lead) which is why I insist on thinking it's a different sound (and processing) which is chosen wisely to fit into the overall theme/sound of the track. |
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| tehlord |
| There's a reverb on the stabs that's sidechained by the stabs. There's also an evolving/flanging effect in the background that's sidechained to a silent kick. I don't think the two are part of the same sound. |
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| Richard Butler |
I'd say it's just a reverb type whereby the verb has a long pre - delay. There might be a separate delay effect on this too.
Just dick around with different reverbs and you'll get this effect no problem. |
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