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Sasha & Digweed (Ableton) (pg. 3)
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| onceler |
| quote: | Originally posted by zizack
...And not everyone is going to be able to use a custom made Ableton controller and get taught how to use the program by actual Ableton engineers like I'm sure was the case for him.... |
True, but you can buy a controller that does the basics for a little over $100. That and a laptop is all your really need hardware-wise to take your show on the road. Only thing left is time to cut the tracks down. My brother is experimenting with this same thing.
On a different note, there are may forms of djing. A disk jockey basically plays music for people. We have taken the dj term and pushed it more into the electronic realm of things.. but then again, we seem to frown at djs who want to experiment with technology. We did this same thing when the cd players hit big, and we are doing it now with Ableton and will do it again when the next technological improvement comes allong. |
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| Nemesis44 |
| quote: | Originally posted by Nyquist_Theorem
wondering how many of the ppl posting in this thread have actually
a) seen sasha play live with ableton
b) used ableton in a dj setup
c) dj'd at all
d) grasped the relation between all of this
having been/done all that, seriously, the sky is not falling.
a dj is someone who researches, picks, plays, and presents music to an audience as a performance. the tools will change, but the audience's desired elements will not. nothing to worry about folks, just modern technology making the scene we love that much more exciting. :) |
Actually, probably the most refreshing post in the world... probably. ;)
Cheers
Nem |
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| dinoXpress |
| quote: | Originally posted by Nemesis44
Actually, probably the most refreshing post in the world... probably. ;)
Cheers
Nem |
while my experience is far more limited, id have to agree. i am still on the fence about this issue...
in my opinion, people are kinda pissed off that they finally mastered a set of decks, now theres this ableton program to worry about.. haha, its a very fluid scene in terms of music, why should that not remain the same when dealing with technology? |
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| Derivative |
ok those greyarea/infusion pictures - thats what im talking about - check out the nord lead 2 keyboard. its the little red one in the first picture at the bottom of the screen. the modular sequencers. digital drum pads! if you are gong to DJ using a sequencer like ableton - thats what you want to aim for. especially since quite a few DJs are also producers and there is close link between the two artforms (i tend to think of one aspect of production as seemless mixes and builds between instruments. i think of DJing as seemless mixes and builds between complete songs). bringing your synths with you and improvising synth hooks over existing tunes. heck you could even at some point drop the other tunes and launch into your own ones completely live. theres nothing like the spontaneity and energy of live performance. it completely redefines what being a DJ is. it redefines how you can prepare for your sets and what you can do in those sets.
a DJ using ableton that triggers some samples from his laptop is a DJ. dont blame ableton or anything like that for a boring, uninspired set by a boring and uninspired DJ. |
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| starlabs |
Personally I could care less if somebody uses a harmonica as a deck controller. When I'm at a club I'm there to LISTEN TO THE MUSIC, not gawk at the DJ put a vinyl record on the turntable or click a mouse. I'd watch him a few times but the rest of the time I'll be too busy dancing.
So who cares? I certainly don't. As long as the music's good and makes me want to dance my legs off, use whatever the hell you want. And if you can get a more "exciting" set from using ableton, maven, cd decks, vinyls, harmonicas... so be it. :) |
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| Scottaculous |
| quote: | Originally posted by starlabs
Personally I could care less if somebody uses a harmonica as a deck controller. When I'm at a club I'm there to LISTEN TO THE MUSIC, not gawk at the DJ put a vinyl record on the turntable or click a mouse. I'd watch him a few times but the rest of the time I'll be too busy dancing.
So who cares? I certainly don't. As long as the music's good and makes me want to dance my legs off, use whatever the hell you want. And if you can get a more "exciting" set from using ableton, maven, cd decks, vinyls, harmonicas... so be it. :) |
+1 If you're so worried about whether a DJ picks up a record and goes to his record box for another, then you're forgetting why you're there: To dance! Not stand around like a muppet and gawk at the DJ. I'm sure the DJ would much rather you dance and enjoy yourself than care what he uses. If you want to see more than you hear, go watch a turntablist. |
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| Tiestor |
I have a question:
how does abelton work?? Can you still use vinyl records and just have the sound routed though your laptop than back out to the mixer???
Or do you have to be 100% digital to use the software???
I like how you can change the synth sounds and add effect and layers to trax. It does make dj'ing more exciting imo.
Cheers |
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| Derivative |
ableton live isnt really mixing software although i suppose you could use it for that purpose - its a fully fledged sequencer, multi track mixer and instrument library. like cubase or reason or floops. its fully VSTi and DXi compatible and its user interface and gui is heavily streamlined with lots of visual feedback making it feel easier to use in a more live kind of capacity. you know. jamming and doing one shot takes. it just makes it easier and more fun to do that kind of stuff.
you dont need to be 100% digital. you will still probably have to beatmatch whatever sequence you have in live though to the music you are playing out. it just allows you to play midi sequences over the tracks you are playing. and because all your synth gear is hooked up and midi'ed up theres nothing to stop you from playing your own parts live. you could for example just have an acapella track and build up the rest of the song completely on your own, playing parts of it or all of it live for a live remix. you can do this with cubase though and its been possible to do this kind of stuff for years. it just hasnt really been a fad until recently and ableton live seems to have stolen alot of the limelight.
since there are many DJs out there that are producers as well its something id be interested in seeing.
i like many of tiesto's productions but having read some of his interviews and such, he sounds like he doesnt have a ing clue what various production tools do. it would be interesting to see how many dj/producers rely on other producers and engineers for their work. if they were even competant they should be able to do at least some rudimentary live performance in addition to spinning their own tracks. |
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| Nemesis44 |
Ok, I'm going to play devils advocate here for a few moments.
Derivative, that's a great and informative post but I have a few questions with regards to how this software may work and some of the potential outcomes may disturb me more than anyone could imagine from a DJing perspective.
I'm just thinking about how one would do this in Floops and the thing that strikes me that in order to be able to do this it would be a good idea to do a lot of pre mix preparation (Not a bad thing in itself). You may even want to match all the tracks to a particular BPM so that they will work together (Not being familiar with how this works in Ableton).
I know you can stretch and pitch etc in floops and indeed a lot of the others too. Although, this process is perhaps a little too time consuming to do it on the fly and there is really no smooth way I can think of to do this live. As stated, there must be a lot of pre performance preparation involved in Sasha's live shows. I know I would do the preparation for maximum effect.
I would imagine that you can put key points on wav/mp3 readouts to make life easier (again not a bad thing) so you know where to stick a mid or other audio clip that is matched.
The use of VSTs is a nice idea but again you would have to use a preset or pre made sound as to start creating a sound from scratch unless it's one that you use frequently is not really practical and can be time consuming to say the least, thus does not work well on the fly.
I need correcting if some of these points are not correct and keep in mind they are speculation not fact, but if Ableton is providing these functions then we are truly pissing against the wind. This is not DJing. This reminds me more of EJay than anything else. As I said though, these comments are speculation and I don't want to be flamed for this or anyone else to pick this up and think that it's fact.
My point is that if Ableton has these functions then it is truly laughable as they have created a tool that has taken the DJ element out of it, and I would only describe this as live sequencing. It can be argued that DJing is just a crude method of the same thing. But this actually makes it very easy.
The skill with this tool sounds more in the pre mix work than in the actual performance although having good ideas is still a key point as is reading the crowd, but we all know that Sasha doesn't read the crowd anyway as he is probably the king of doing the same mix for a month. Still need good ideas, but if you know how to harmonically mix this tool is like Fisher Price for DJing by the sounds of it.
Disclaimer: The above comments are based upon what I have been able to find out about Ableton through a quick mess about with the application, how I would have carried out the same thing in other sequencers (I am a producer and do know other software to a decent level) and a few assumptions which may or may not be correct.
Cheers
Nem |
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| Nemesis44 |
| quote: | Originally posted by Scottaculous
+1 If you're so worried about whether a DJ picks up a record and goes to his record box for another, then you're forgetting why you're there: To dance! Not stand around like a muppet and gawk at the DJ. I'm sure the DJ would much rather you dance and enjoy yourself than care what he uses. If you want to see more than you hear, go watch a turntablist. |
I think a lot of you underestimate clubbers and their appreciation for a good DJ. The majority of UK clubbers want the whole package.
Yes they want to dance but they want to connect with a great DJ and see him work. It's very much a ying yang type thing.
I'm not against progress, just not sure yet if this is truly progress.
Nem |
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| jdat |
The average dj never goes beyond basic beatmatching.
So have no fear Ableton may never take over, unless the kids suddenly wake up and decide to get a little creative and not do the same that 10 million other kids have done before them. |
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| webbie |
| I can definatly remember reading an interview with Sasha where he states that he does not have to beatmatch with Ableton. |
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