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supersaw i made (pg. 5)
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| *InVeRs3* |
| quote: | Originally posted by Krispy Kreme
the first thing that is wrong is the notes you are playing.. also try every effect you can think of like eq, reverb, chorus, flanger, delay and etc. until it sounds better. All i can say is keep tweaking and tweaking till you like it. Make sure each supersaw wave is slightly detuned and tweaked differently... also adjust the pitch and stuff like that to get more of a phat sound. heres mine after working on it :
http://s25.yousendit.com/d.aspx?id=...0E3ERHBQULMSMJG |
lol i never noticed the notes. thansk for the advice.:p |
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| RiCo |
| I loved the SevenPad one, hehe. Cosmic one was good also! :) |
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| RiCo |
| quote: | Originally posted by hardikaveri
GOD DAMMIT GUYS
please share some presets or flp's.. i wanna learn to to make supersaws with my software!! |
WHY? It's the easiest sound...anybody can create it. What gives it the touch is the EQing and effects...that's the hard part :) Have you tried searching that on Google? How about searching for Supersaw patch? I just did and I found something. :p |
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| thecYrus |
| quote: | Originally posted by everyMan
cYrus' one amazed me! How was it done ? how many AAS and effects ? |
hehe, only one instance of ultra analog and a smooth reverb and a bit a tricky delay..
so long
cYrus |
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| Derivative |
the fundamentals of a supersaw are easy to get - they are modelled on a string sound. listen to a cello playing a solo lead.
take any virtual analogue with more than 1 oscillator. most VAs with 2 oscillators and a sub oscillator are perfectly adequate.
set both oscillators to saw. tune the second oscillator an octave above or below the 1st oscillator. set an LFO to modulate the pitch of the first oscillator fairly slowly. set another LFO to modulate the pitch of the second oscillator in the opposite direction.
detune both until you get a fuzzy stringish sound. adjust the amp and filter envelope to get a bit of attack and a long string like sustain and a touch of release. add a chorus. this fuzzes it up a bit more. set the filter on low pass or band stop and a touch of resonance and you are pretty much there.
The pitch modulation is really important because it simulates the slow vibrato that cello and violin players use when playing a sustained note.
if your synth allows it, increase unison and panspread to give it more bulk and width. this does not apply to synths (like pro 53) where unison stacks all voices and allows for only monophonic playback. my access virus b can stack voices in unison and still remain polyphonic but it reduces the number of voices, this is perfectly adequate since you wont be playing very many large chords with supersawish sounds (the sound is quite large - intervals and 5ths work just right).
it also needs to be played in the right octave range and with the right notes or it will sound wrong.
these days i make all my leads on my virus b because its just awesome for detuned string sounds. the LFO and mod matrix are amazing and it allows you to add so much detail to the sound. ill upload some strings patches i made tommorow morning. but you can get decent results from most software VAs. |
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| thecYrus |
already posted in another thread here.. but the next supersaw ;)
SuperSaw 4 |
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| RiCo |
| quote: | Originally posted by thecYrus
already posted in another thread here.. but the next supersaw ;)
SuperSaw 4 |
I like it a lot...has more of an open, wider sound than the original one. I was hoping in that sound clip you would add the second set of short saw arpeggio that comes in that song after that "verse", hehe. Can you do it for me? I would love to hear that supersaw with the second saw arpeggio playing simultaneously like in the original. :tongue2 |
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| RiCo |
Man, that original song is trippy as hell, haha. |
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