here is the a new remix by Gareth Emery of the mike classic Sunrise At Palamos out soon on Garuda got to say i am realy likeing this alot ing amazing good feeling to this track i am sure its gonna be massive
what do u think of it your thoughts plz :)
Subtle
A bit typical Emery sounding, but definitely not bad.
palm
whats the point? it doesnt add anything compared to the original. only thing is the sidechained fart bass which i hate anyway. bad remix of an awesome original track which should be left alone.
TranceOwnsLol
last good thing Gareth Emery made was Formentara What imo.
the_voice
quote:
Originally posted by Subtle
A bit typical Emery sounding
true but still a beast of a tune
it has anthem all over it
palm
might as well play the original?
ToF
quote:
Originally posted by palm
whats the point? it doesnt add anything compared to the original. only thing is the sidechained fart bass which i hate anyway. bad remix of an awesome original track which should be left alone.
It was a bit hard for me to be objective because M.I.K.E. is one of my favourite producers and I also like Gareth's sound. But it is definitely pointless and I don't like it. As mentioned it's now got some annoyingly unnecessary sidechain in it and he also seemed to strip all the energy out of the original. Boo from me. :(
Mr.Mystery
Pointlessness defined.
hasbone
would rather hear the original
pointless indeed
daphunky1
yep pointless. I feel like big dj's feel too insecure or something to just bring back a classic for the season, or a couple months or whatever, so they feel they need to make some "rework/remix/update" to seem legit in the fast paced world of edm tunes. Too bad really.
Subtle
He has remixed the tune into his own sound, personally i dont see anything wrong with that.
SPANIARD
I'll admit I've heard worse re-makes, but alot of these producers need to realise that remixing an old trance with today's style is often times as bad (or worse) than creating a new track and blending in other trendy styles (like minimal, tech house, electro).
