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Redshape - The Dance Paradox LP [Delsin] (pg. 2)
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| Kismet7 |
| quote: | Originally posted by Seppuku
09? Definitely belongs to Rebirth over Ostgut Ton. |
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| Seppuku |
| Stop trying to make every thread about you Kismet. :rolleyes: |
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| Kismet7 |
| quote: | Originally posted by Seppuku
Stop trying to make every thread about you Kismet. :rolleyes: |
i did'nt mention myself? Besides you got cheeky with saying Ostgut Ton is better than Rebirth out of nowhere, which obviously is directed towards me in some way ;) |
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| Kismet7 |
its 'fer sure dude'
but like Sinatra...i'll do it my wayyy |
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| Guest |
| Ostgut for the most part makes really dirty techno. To be honest I dont play their records much when I'm at home unless I'm drinking and I want to piss off the neighbors. Its very aggressive and loopy and I can see why a lot of people dont go for it. But I'm sure in the right club those tracks would crush you |
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| Kismet7 |
| I'm more into Detroit and Chicago dirty, its a warm and aesthetically pleasing. Something about Ostgut's sound is cold, maybe its today's equipment they are employing. As with Detroit and Chicago records, Delsin's dirty records manage to be a warm and soulful. |
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| jupiterone |
feeling a bit of them. dark & sticky, garage gt are ZzZzZzzz... for me though
bound is great though |
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| Kismet7 |
| Just through samples, Bound is the one that stood out for me as well. |
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| Guest |
| quote: | Originally posted by Kismet7
I'm more into Detroit and Chicago dirty, its a warm and aesthetically pleasing. Something about Ostgut's sound is cold, maybe its today's equipment they are employing. As with Detroit and Chicago records, Delsin's dirty records manage to be a warm and soulful. |
I agree. Delsin is for the most part very warm.
Ostgut is cold. Recent exception being Tony Lionni's release on Berghain 03. Marcel Dettmann is probably the biggest reason the releases sound so cold and mechanical. Listen to his track called Guttering on the Deuce release http://mp3.juno.co.uk/MP3/SF353538-01-02-01.mp3 ...there's nothing nice about it. I even have a hard time mixing this type of techno. Maybe I'm just not used to it. But it seems there's not much room for subtlety or gradual fades. It really begs for fader slams and that's about it. |
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| Forever Delayed |
| The new Ostgut takes a big all over anything on Rebirth this year. |
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