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C R E A M Festival - SUN.SEP.01.02 [514] (pg. 10)
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| delstar |
true dat
as i mentioned in this thread....or in this forum many times
our lineups dont matter anymore...ginos, trendies, frenchies and poppers are 95% of the crowd....
Tranceaddicts represent 3-5% of the rave population....even less, or else we would have more peeps here......biggy, 514 cannot throw parties with our approval or our input because we do not represent the target market
disagree with that comment...and you are an idiot |
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| ZinG |
ok time to laugh again:)
XTC on Green Velvet, see if u can last for 2hours;)
And imo instead of u bashing about the lineup i think we should bash about the price even if it wasnt a 514 event, think about when we used to pay 25 and 30 to get into a 514 party or so.... wtf those days are gone. |
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| fastmp3 |
| MOFOOOOOOOOO CONNECTED @ CEPSUM :D |
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| Biggy |
If I can prosuce big DJ's at Aria and Dagobert in thursday night in Quebec city, 514 can bring big dj's to their parties!
Think about it ? |
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| DJHappy |
DJ PROFILE : 808 STATE (UK)
THE KNOWLEDGE
Who?
808 State, acid house pioneers and possibly the finest live dance act to come out of Manchester. No mean feat that, considering the competition. Initially, it was the production expertise of Graham Massey, Eastern Bloc Records owner Martin Price and Gerald Simpson that formed the backbone of The State. Simpson was complicit on the first collection of raw acidity from 808, entitled ‘Newbuild’, but left part way through the second long player ‘Quadrastate’ to pursue his own interests, (namely his solo act, A Guy Called Gerald). The DJ skills of Andrew Barker and Darren Partington were consequently recruited
Why 808?
Clearly that was because of the Roland TR808 drum machine, the piece of kit that became as essential as the 303 and the 909 in producing acid house music. The seminal 808 moment came in the shape of the undisputedly glorious genre-defining ‘Pacific State’ with its smooth pads and tear-jerking horns. Other classy moments include ‘Cubik’ from 1990 and the rave-tastic ‘In yer Face’ from 1991. The State also produced some quality collaborations with Moss Side rapper MC Tunes, notably ‘The Only Rhyme That Bites’. But that was always a forte of Massey and co
What was?
Collaborations. The State have a remix CV that pisses from a great height on anything Oakenfold or Morales have put together. Get this lot: Art of Noise, Arthur Baker, Afrika Bambaata, Bjork, David Bowie, Bomb The Bass, Quincy Jones, Tom Jones, REM, Primal Scream, Robert Owens, A Certain Ratio, K Klass, Mansun, Texas, Gong…and that doesn’t even scratch the surface
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| sylphin |
| quote: | Originally posted by ZinG
ok time to laugh again:)
XTC on Green Velvet, see if u can last for 2hours;)
And imo instead of u bashing about the lineup i think we should bash about the price even if it wasnt a 514 event, think about when we used to pay 25 and 30 to get into a 514 party or so.... wtf those days are gone. |
cream 99, 34.50$, so less than 50$ after all taxes and all.. funny, I remember complaining about that
think 50$x4000 = 200,000$ (or ~133k USD).. after the insurances, inflated prices on sound and lighting, not to mention police and security.. oh and obviously renting out the molson center is free.. what is left?
honnestly, 514 aint to blame for the poor quality of the party.. its society =\ |
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| Apu |
Biggy maybe it's because you own the club and you don't have to rent a venue, pay security, and so on..
| quote: | Originally posted by Biggy
If I can prosuce big DJ's at Aria and Dagobert in thursday night in Quebec city, 514 can bring big dj's to their parties!
Think about it ? |
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| DJ Charlie |
| quote: | Originally posted by Apu
Biggy maybe it's because you own the club and you don't have to rent a venue, pay security, and so on..
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514 own Sona now... something for Happy.
lol |
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| DJ Charlie |
| quote: | Originally posted by DJ Charlie
514 own Sona now... something for Happy.
lol |
I mean... "samehting" for Happy...
lol my mistake here |
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| ZinG |
Ok first of all u forgot about sponsors involved which really does a big difference.
Second of all everyone pays for security even if its a small club. |
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| Biggy |
Yes but a club has not the capacity of Molson Cnetre! If you bring big artists, you will have 6 500 - 7000 people but with this line-up I think more 4000.
And I think it's only 50$ in pre-sale, not at the door? I am sure it will be 75$ at the door. |
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| Apu |
Zing
@ a venue like the Molson Centre they have to pay for a load more security than let's say aria, Plus for big raves in Montreal you must have a a centain numbers of cops at the front as well ( Plus it's a holiday so you pay them double ).
Biggy just curious how many staff do you have on a night at one time??
Zing, one more question, what type of sponsors do they usually get for a rave??
| quote: | Originally posted by ZinG
Ok first of all u forgot about sponsors involved which really does a big difference.
Second of all everyone pays for security even if its a small club. |
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