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C R E A M Festival - SUN.SEP.01.02 [514] (pg. 11)
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| Biggy |
Molson Centre + security is about 125 000$cdn.
This is the biggest expenses for this year but when you have big dj's, artists can be the biggest expenses.
A good party at Molson Centre should bring this kinda amount of people:
4000 x 50$ = 200 000$
2000 x 75$ = 150 000$
+ 25 000$ sponsors = 375 000$
If the venue + security (police) + DJ'S cost 200 000$, you can make good money.
50 000$ of production (sound + lighting + visuals).
25 000$ promotion
40 000$ all extras
This 315 000$ for a really good party so it's 60 000$ profit (this is 16% profits)and if you have 6500 people, there is 40 000$ extra again(this is 26.5% profits)! |
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| TheRizzler |
that's quite the interesting break down, plus they'll be making $$ of glow sticks sales, if they still sell em, I haven't been in a while ;)
You think they get $25,000 worth of sponsorship? That's pretty crazy, I wouldn't expect it to be that high.
Tickets aren't 50$ tax included, are they? |
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| sylphin |
| quote: | Originally posted by TheRizzler
that's quite the interesting break down, plus they'll be making $$ of glow sticks sales, if they still sell em, I haven't been in a while ;)
You think they get $25,000 worth of sponsorship? That's pretty crazy, I wouldn't expect it to be that high.
Tickets aren't 50$ tax included, are they? |
obviosuly not, I just cheked ...
58$ after tax (and all service charges)
-s |
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| Biggy |
| I know it's really easy to get sponsors for $20K - $25K for a party like that! |
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| ZinG |
| ofcourse sometimes sponsors take care of the DJ cover. |
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| TheRizzler |
you mind giving an example of a big sponsor?
I don't recall seeing any mainstream promotional sponsor stuff at any 514 parties, that could attribute $25,000.00. unless they had some at Swirl, or Forza. |
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| Biggy |
Tobaco company
Alcohol company
Smart drinks company
Water company
Clothes company
and the list goes on.. |
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| DJHappy |
CREAM UPDATE !
CREAM - tickets onsale @ 514_STORE
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| DJHappy |
DJ PROFILE: COR FIJNEMAN
DJ COR FIJNEMAN (NETHERLANDS)
Cor Fijneman has been in the music business for many years now, and has become one of the few who has a true understanding for quality trance music. He has produced several tracks with DJ Tiësto, The Dawnseekers and DJ Montana, and has recently remixed artists as BT, Major League and Dance Nation.
His mixcompilation debut, In Trance We Trust 005, made a fresh impact on the In Trance We Trust compilation series. Cor is also handling volume 6, taking the series to again a higher level.
Cor currently holds a residency in the netherlands, where he entertains a small crowd every saturdaynight. He is playing clubs all over the country, from amsterdam to maastricht. He headlined events in Norway several times, and performed on national radio.
Discography
Vinyl:
DJ Tiësto - Theme from Norefjell 12"
DJ Tiësto - Sparkles 12"
Allure - No More Tears 12"
Threesome - Mohave/Gobi 12"
Hammock Brothers - Earth/Sea/Windsong
DJ Cor Fijneman - 10 PM
Remixes:
BT - Dreaming Remix
Major League - Wonder? Remix
Favorite playlist:
The year is 1994 when I first put ‘the needle on the record’. First performing for my bedroom’s four walls I soon realised that spinning records was a great hobby. Starting of with the more darker side of dancemusic I got the opportunity to play for other people who seemed to like what I did. More parties followed but the feeling for the music I was playing at that time was gone. I even stopped playing for a while but I was allready to much infected with the virus that is DJ-ing.
I was searching for a style that was more melodic and I found it in trance music and that is the style I still play today. After releasing my first tracks such as Theme from Norefjell, Earth and Sparkles (all these together with DJ Tiësto) I was asked to become a resident at the Spock in my hometown Breda. Here I played every saturday night for 4 years. Here I developed my style I still play today: Raw uplifting trance.
In the summer of 2000 the guys from Black Hole gave me the chance to mix the 5th part of the In Trance We Trust series. It’s release resulted in some very nice gigs in Holland but also in countries like Norway, Panama, Columbia and Greece. The number of gigs went even bigger after the release of In Trance We Trust 6 and Maxim editions V1.0.
Nowadays I play every friday and saturday night all over Holland and I sometimes visit foreign countries. That is also why I, after 4 great years, have quit my residency at the Spock.
For the future I hope to bring you more and more nice music produced by myself and also treat you with some nice DJ sets all over the globe. So probably I will see you sometime in some club and I will try to make it a night you will never forget.
Cor Fijneman
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| mastercongo |
| i would love to see cor but 1.5 hours :( |
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| DJHappy |
DJ PROFILE - DAVE ANGEL
Dave Angel was born in Chelsea, grew up in Clapham and was already lost in music by the age of 8, when his Jamaican father - a jazz horn player - taught him to play the drums. Not one for conforming, even at an early age, Angel spent little time in school, preferring truancy to chemistry and the music room to the classroom. By the age of 12 he had played his first reggae session and would jam at home with dad on classics by Mingus and Parker.
DJ-ing seemed a natural progression, first professionally on London’s pirate radio station Radio Phase One (alongside Fabio and Grooverider), then at the odd party, the odd club here and there. This was 1986, and the beginning of the revolution that was to realize Dave Angel as one of the major techno talents in the global dance village. Initially a funk DJ, the TB-303 changed his life. "When I got into techno and acid it was like ‘this is the new sound, this is the new technology’", says Dave. "I was thinking: ‘this is the music of the youth, and 20 years from now it’s going to be like the rock of the sixties’. I had to get in on it."
In 1989 a spot of bedroom recording resulted in his first vinyl outing, a cheeky reconstruction of Eurythmics’ Sweet Dreams. Taking the familiar tune on a dark and atmospheric journey into house, the remix - originally pressed on white label - ultimately received a legitimate release and led to a deal with Dave Dorrell’s Love label. Somewhat controversial but eminently popular (even with Eurythmics themselves), the record climbed to number 23 in the U.K. charts.
Since then Dave has put out innumerable releases on various labels, but it was his early collaboration with R & S Records that launched him on the path towards his current status of dance music figurehead. The EP’s 1st Voyage, 2nd Voyage and 3rd Voyage reflected the sound he pioneered in the DJ booth, while the other-worldly ambience techno of his The Family EP (on Apollo) and the more melodic excursions as found on the Outrageous Angel EP (on R & S' now defunct subsidiary Outrage) illustrated other aspects of his multi-faceted talent. "I see techno as contemporary jazz with future sounds", Dave says. "I’m down with technology and I was brought up listening to Ornette Coleman and Charlie Parker. There are so many sounds to work with and every sound represents different feelings, so music can open different areas of experience."
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| delstar |
biggy...out of curiousity...
how much revenue did you bring in with water, drink sales for bal en blanc?
i always estimated ~ $20-30k?
am i right? |
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