|
what are biggest mistakes beginning producers make? (pg. 2)
|
View this Thread in Original format
| clay |
practical mistakes:
1. buy lots of gear before earning any money, especially hardware synths and efex (see urbanninja)
2. try signing with labels before you know what the hells going on or having a real product
3. not using enough money on monitoring (speakers, soundcard, sound-treatment)
additional personality flaws in noobs:
4. not enough self-criticism
5. not enough originality
6. not enough focus
7. not enough stamina
8. not grounded enough (quit dreaming, get real) |
|
|
| Looney4Clooney |
| artist name |
|
|
| wayfinder |
| starting lots of projects, finishing nothing because it doesn't live up to their taste yet and they're getting frustrated, thereby only practising the first steps in making a track and never even getting to the later levels :) |
|
|
| Dj_Kile |
| quote: | Originally posted by wayfinder
starting lots of projects, finishing nothing because it doesn't live up to their taste yet and they're getting frustrated, thereby only practising the first steps in making a track and never even getting to the later levels :) |
I relate to that and related actually to the opposite as well
trying to finish everything you ever started, forcing it actually to the point its pointless
learn to let go in favor of new and fresh stuff that actually has more potential to make it |
|
|
| kevin shawn |
| Bad sound selection, ty weed. |
|
|
| Whip_lash |
| quote: | Originally posted by Dj_Kile
I relate to that and related actually to the opposite as well
trying to finish everything you ever started, forcing it actually to the point its pointless
learn to let go in favor of new and fresh stuff that actually has more potential to make it |
This is also very true. The thing is its hard to judge as a beginner what can turn into a good track and what wont. But as time goes on and you practice more/are more experienced you will get to that level of being able to see it.
I think im getting more to that level of being able to see if a track has potential or if its just gonna be an endless rut of wasted hours. |
|
|
| wayfinder |
| quote: | Originally posted by Dj_Kile
I relate to that and related actually to the opposite as well
trying to finish everything you ever started, forcing it actually to the point its pointless
learn to let go in favor of new and fresh stuff that actually has more potential to make it |
as a beginner, you profit much more from getting experience with all parts of making a track than from efficiency. Your results are going to suck anyway, whether or not the track has potential to become great in someone else's hands :) |
|
|
| Rodri Santos |
| not having a good balance, too high or too sober when producing. |
|
|
| Osmodiar |
My biggest mistake was ignoring sound design, thinking it was too complex and mathematical to get into in the beginning and just wanting to focus on the fun creative flow / melodic parts of the tunes.
The nexus comment earlier is spot on. Not even just nexus but presets in general. Took me far too long to realise that it was a frustrating waste of time having to hunt through soundbanks every time I needed a new sound. It was fun to begin with because you're not as fussy about what sound you get, lots of them sound interesting and you just slap them together, cringe at all the knobs you don't understand, and move on having learnt nothing.
Once you start really trying to polish things up though and need a sound to slot in perfectly somewhere, you need to be able to make it. Otherwise you waste more and more time looking for the right sound, and even more time trying to EQ it into a place it doesn't fit, and that's usually where the inspiration dies.
It's like a light clicked for me recently, biggest regret is not realising this earlier. |
|
|
| Beatflux |
| quote: | Originally posted by wayfinder
starting lots of projects, finishing nothing because it doesn't live up to their taste yet and they're getting frustrated, thereby only practising the first steps in making a track and never even getting to the later levels :) |
Personally, this is my biggest challenge. |
|
|
| tehlord |
| quote: | Originally posted by Looney4Clooney
artist name |
I don't think the name is as important as the overall aura.
Moody photos with DJ cans round your neck have zero aura. |
|
|
| DJ RANN |
For me, the biggest mistakes I see all to often (and my own personal waste of time) is obsessing over tiny details rather than looking at the bigger picture of a track as a whole.
Sure, it's useful as a learning process for engineering, but the thing to keep at the forefront is: producer
We're meant to produce, that means make something. I've lost hours noodling with the tiny minutiae of insignificant things, only to be back basically where I was before I started noodling.
The other thing (tied to the above) is not making swift decisions. As a producer, you have to learn to make fast decisions and quickly move on. You'll never get used to making a track in good time and being anything close to prolific, which you need to be if you want to make it.
The other thing is having too many toys to play with. You become a master of none and there's a huge benefit to find a few key synths that resonate (ahem) with you and learning them inside out. I know a couple of producers that use logic's built in synths and FX for 95% of their project and they sound amazing. |
|
|
|
|
