|
An adsr plugin, does it exist? (pg. 2)
|
View this Thread in Original format
| sundrip |
| quote: | Originally posted by clay
compressors can do that |
Show me one that can do that well, I've only seen vague envelopes. |
|
|
| clay |
| quote: | Originally posted by sundrip
Show me one that can do that well, I've only seen vague envelopes. |
depends on what you want to do? raise the attach and reduse release? or reduse attach and gain release? a compressor does both (though maybe not visual ;p ). decay and sustain is sample determant (how long is it). |
|
|
| cryophonik |
| quote: | Originally posted by clay
depends on what you want to do? raise the attach and reduse release? or reduse attach and gain release? a compressor does both. |
NO! A compressor does not raise the attack. A compressor compresses (I.e., reduces) the dynamic range, it does NOT increase it and does NOT raise the attack. The attack control on a compressor determines how long before the compressor reduces the signal and either allows the transient through unaffected (at high settings) or reduces them (at low settings). By reducing the dynamic range, it allows you to raise the overall level using makeup gain, but compression itself does not increase anything. Upward expanders or transient designers can increase the attack by actually increasing the level of the transients, compressors do not. |
|
|
| Looney4Clooney |
NEIN!
Granted an upward compressor although reducing the dynamic range will do it by increasing low input. So if the attack was really quiet, it would technically raise it making the statement that a compressor can raise the volume of an attack without compensation with make up gain true. bammmmmmm |
|
|
| clay |
| lol all talk. ill post examples later with screenshots of settings. |
|
|
| Looney4Clooney |
| Cryo's mention of make up gain makes it rather clear he understands what you were trying to say. I do think you just meant that you can use it to control the dynamics of a sound which is kinda to obvious not to nitpick what you said. |
|
|
| Richard Butler |
Cubase 4/5 allows you to draw automation underneath any audio sample in the main project window. Would this not work for you OP? Maybe you have an older version of Cubase and cannot do this?
If you can do it, then all you need do is draw the envelope shapes you require. The default parameter is volume. |
|
|
| future_newbie |
| quote: | Originally posted by Richard Butler
Cubase 4/5 allows you to draw automation underneath any audio sample in the main project window. Would this not work for you OP? Maybe you have an older version of Cubase and cannot do this?
If you can do it, then all you need do is draw the envelope shapes you require. The default parameter is volume. |
Yeah, I've been doing that for some time now...but I wanted something easier and faster to manage. Dragging an existing pre-set envelope is easier than drawing one by yourself. |
|
|
| meriter |
| offtopic but i really hope the next iteration of EVP88 has an adsr envelope, it would be such a great synth |
|
|
| future_newbie |
Sorry if I'm getting back at this...but I was wondering...
Say for example I got 10 one shot hat samples, does it mean in order to use this I should load 10 kontakt shell istances as an insert? Wouldn't it be too consumative of cpu? |
|
|
| cryophonik |
| Kontakt is a multi-timbral plugin, so you can load 10 instances of The Shell into one instance of Kontakt and assign separate MIDI inputs and audio outputs to each Shell instrument. It shouldn't use much of your CPU. |
|
|
| future_newbie |
| quote: | Originally posted by cryophonik
Kontakt is a multi-timbral plugin, so you can load 10 instances of The Shell into one instance of Kontakt and assign separate MIDI inputs and audio outputs to each Shell instrument. It shouldn't use much of your CPU. |
Oooh that's great! thanks |
|
|
|
|
