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best intro
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| rubez |
the intro is an important track, just as important as the last (if not more so)
to set the mood and grab the listeners attention.
this one from our old friend tjs is hard to beat, isos 3 he was truly at the top of his game and piqued with this marvelous mix cd.
another favourite is adam white's disc on limited edition euphoria. paints a picture of a doomed space mission.
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| AlphaStarred |
Perfect track to start a set with, too:
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| djdk |
I have no idea what he played, but Sashas intro to his set at glastonbury this time last week* was truly ing epic.
*a whole week ago?!? thats a very depressing thought |
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| Kilixpree |
| anterra - distance and momu - sunsicle |
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| DJRYAN™ |
Christopher Lawrence -- United State of Trance
DJ MICRO - Micro Tech Mix Live Version 2.0
Tiesto - Parade of Athletes
TranceNation Disc 1.. the pink one..
+ a few others.. |
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| 2techs |
| Angel Moraes - Welcome To The Factory |
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| Paradox Lost |
| I've always felt Sasha's remix of 'Grand National- Talk Amongst Yourselves' on 'Involver' was one of the finest intro tracks I've ever heard. |
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| rubez |
| quote: | Originally posted by DJRYAN™
TranceNation Disc 1.. the pink one..
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i think you mean this, love that one too.
though this was disc 2... unless you are talking about bryan adams - don't give it up :stongue:
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| JonDC |
I'd agree that the intro is rediculously important when it comes to mix CDs (perhaps less so in a club set though)
For me one of the tricky things is that tunes that have amazing intro's are typically not tunes you would use anywhere near the start of your set though! An example is Bedrock - Set In Stone. Also that Antillas esample from the Adam White CD - great start to the disk but I think he struggled to follow it up, personally (that happened on a lot of Euphoria CDs)
I'm quite partial to low-key intros like this one:
http://www.youtube.com/watch?v=koQGEeW75Gc
The actual into doesn't do much but the tune itself is perfect to open a trance / prog set |
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| Woony |
Berghain 04. Alltime ambient favorite.
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| RebeL9 |
This is one of my all time favourites from Scott Bond's EM 2000.
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