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Do you even hardware jam? (pg. 3)
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| atxbigballer1 |
| quote: | Originally posted by Mel David
If anyone has any old Roland keyboard workstations they had an RPS sequencer function where you can trigger MIDI patterns on/off via the keys. This can be really useful for mocking up a quick arrangement on the fly. |
I got a Roland D2 Groovebox off Ebay. It's going to be the 4th or 5th one I've ever owned I keep losing them pawnshops I hope to keep this one around for a long time. |
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| Richard Butler |
| quote: | Originally posted by tehlord
I know a few of us are fans of teh hardware.
I think it might be cool if there was a thread where we could post our efforts of live/improv/jam stuff.
I'm just about happy with my little setup (as far as it can go here) so I need to start practicing the live stuff now.
In the spirit of the thread I think it's ok to prepare midi and samples, but probably a good idea to veer away from tracks created with hardware and then mixed later.
I've been doing a few attempts over the last couple of months and I'm still not very good at all, but I just bought myself an APC so I'll try and do better with that!
Here's a short little 'thing' I did using the bloody mouse click method in Ableton Live. It's a bit crap, but it's a start!
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Love how clear and present the synths sound here without squashing out the drums, great sound and thanks for this thread.
I made live hardware 'track' (more a long loop really) a month back but now just have the WAV of it staring at me and don't know where to take it, if I remember I will post it up. Was made using my Roland JDxa using it's in built sequencer. So much fun to do. |
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| Richard Butler |
| quote: | Originally posted by Raphie
All live,
No edits
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Mate when Nosferatu gets going around 2.30, the groove is insayane! And when the snare and then the hats drop in it's sounds calm Man. Fuk I would like to work with that. |
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| Raphie |
some acid live fun
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| tehlord |
| quote: | Originally posted by Raphie
some acid live fun
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Like
I didn't really think the Avalon sounded that nice until you whacked the res up, then it really did sound nice. |
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| Raphie |
| Thnx, yes there are some duller parts in there, but is has some excellent sweetspots, which are revealed later, the combo with the MF-104M is heaven for me, at times the right filter and delay is really hypnotizing |
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| Raphie |
and a new jam: A4 + RYTM + Avalon
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| tehlord |
I like that, very progressive.
I kinda regret selling my Rytm, but then I think about Live and I don't any more. |
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| Raphie |
| The RYTM presets suck, but once you get the hang of the engine, you can create great liquid not so resonant sounds. |
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| Veverka |
| Raphie, where did you get the Avalon, and how did you obtain a proper power cord (assuming it has an American one by default)? I'm interested in buying one as well. |
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| Raphie |
| Ordered from Abstrakt directly, they ship with worldwide adapter and euro cord. |
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| Richard Butler |
QUESTION;
What software product would allow me to trigger samples (from my own library) for use in 'machine gun' risers where by I can speed up, or slow down the triggering at will?
To be clear, I want to for example trigger a snare sample, starting slowly and then building right up in speed in a linear fashion of my choosing.
I DO NOT mean the old way of triggering a sample at say 4, then 16, then 32 etc. I want total control and not to be bound by standard time signature |
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