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Minnesota Tranceaddicts / Events Thread (pg. 69)
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| cmay119 |
| No deal McKlutchen! That moon money's mine! |
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| SweetCheeks07 |
| quote: | Originally posted by cmay119
No deal McKlutchen! That moon money's mine! |
:nervous: |
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| SweetCheeks07 |
so i took like 15 videos at marco v... ill post them later once i upload them. god i love marco!
cMay are we going to prydz? |
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| tylerc |
| quote: | Originally posted by SweetCheeks07
cMay are we going to prydz? |
yes.
im playing in the deep lounge 11-12 too.
be there. |
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| SweetCheeks07 |
| quote: | Originally posted by tylerc
yes.
im playing in the deep lounge 11-12 too.
be there. |
ok tyler. see you there |
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| Aristronica |
| hey guys. what's going on in this thread? |
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| Daniel K |
| quote: | Originally posted by Aristronica
hey guys. what's going on in this thread? |
stfu |
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| cmay119 |
Wow, what a great show last night! Eric destroyed Foundation, on a Sunday no doubt! Really dark electro/tech house at the beginning of the night had me going crazy (Can you say bass heavy). He didn't drop a single Prydz production until around 1:15AM with Muranyi which had the place in an uproar. Soon to follow was Adam Freeland - Silverlake Pills (Gui Burrato Remix) really got me going as that track sounded awesome on that large system.
Then comes the last 25 minutes of the show, I start faintly hearing 'I can't even remember' 'I can't even remember' repeating softly through the Transition from the previous track, that's when I officialy lost my marbles. By the time the Electro bass line dropped in I was off the walls (If you don't recognize those lyrics he dropped Pryda - Remember).
Soon to follow was a melee a tracks that blew the roof off the place. The 'Sweet Dreams Are Made of These' hook comes blasting in and the whole crowd in unison gives a fist pumping roar that I won't soon forget. He transistions out of that into Pryda - Genesis, great placement of that tune in the set, I was once again mind-ed. After Genesis he gives us about a three minute bass-teaser when you finally starting hearing a solid high pitched note gradually gaining volume through the speakers. I thought to myself "I recognize this one" but I couldn't put my finger on it quite yet. The bass dropped out and then I new it. Here comes Proper Education!
I turn to my buddy Austin and yell: "We don't need no Education!" in his ear, he gave me a funny look and a split second later, you hear the same thing come through the speakers. Everybody had officially lost there minds in that club. Jumpin' & Yellin' like I had never heard at foundation. I of course was one of 'em.
That was the last track of the night, except for the encore track which I didn't recognize. I was so tired from dancing so hard that the simple drop in energy (from stopping proper education and then just upfading the new track), I was able to dance it out, but I looked like I'd been kicked in the pelvis.
All in all it was one of the best shows of the year for me. Even my friends whom are mainly Trance enthusiasts had a great time last night. Thank you SIM for another spectacular show. :)
~The End |
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| eccentricbeats |
Hope to see some of you out for Radio Slave this Thursday... 18+ party.
http://www.youtube.com/watch?v=mqybOHTuqNU
Thursday, October 18th
Eccentric Beats, Abiotic/Enemy, and Intellephunk present:
RADIO SLAVE – Rekids Fall North American Tour
“23rd Century dance music is here.” – RED BULL MUSIC ACADEMY
No matter what sounds you profess to be your music of choice, chances are, that at some point over the last five years, you will have got your rocks off to Matt Edwards.
As Matthew E he fashions club-based, dancefloor slayers. Under that aegis he’s updated the classic Chi-town, jackin’ sound beloved of house aficionados and layered it with fractured funk, belligerent, oddball beats and mechanical soul.
If Matthew E is all about the Saturday Night Fever, then, by contrast, Rekid is the slower, more deliberate, rhythmical funk of the mid-week mayhem. Its well-intentioned muscular intensity making it perfect soulful sustenance.
Quiet Village is something else all together. A collaboration with long-time musical sparring partner Joel Martin (a vinyl freak, like Mr Edwards, who works in esteemed auction house Christie’s pop department), it’s sample-based music which veers from drawn out disco-not-disco delirium to evocative, under-stated soundscapes.
Sea Devils - you keeping up at the back? – is undeniable electronic pop brilliance. Working with Tom from Cagedbaby, it’s the least niche of Matt’s projects and thanks to Sea Devils alluring pop dance grooves they’ll no doubt be shagging the upper reaches of the hit parade sometime soon.
Last, but by no means least etc, etc, etc, is Radio Slave. Perhaps Matt’s most instantly recognisable nom de guerre, thanks in part to his inspirational melding of Kylie’s Can’t Get You Out Of My Head to New Order’s Blue Monday, this is Matt’s DJ moniker and the guise under which he completes his incendiary remixes and re-edits.
However, before such sonic schizophrenia gets you calling for the men in white coats, just feel the quality and consider Matt’s legacy. Fired by the first wave of acid house, Matt gained his musical spurs by partying to dance music that was just that: music you danced to, irrespective of tribal factions.
This was the raison d’être he acknowledged when he took to the decks, first at London’s legendary Milk Bar in 1992, then onto the, then, recently opened Ministry Of Sound and then to parties across the country, most notably in Wales – where he was a regular at free parties – and in Brighton, his home since 1998.
His love of re-edits, dance music’s oft-forgotten backbone, led Matt into the studio himself. His own re-edits and remixes, such as the aforementioned epoch-defining re-imagining for Ms Minogue, soon gave way to his own productions and since the floodgates opened there’s been no stopping the man known as, erm, Matthew E, Quiet Village, Sea Devils, Rekid and Radio Slave.
He’s released records for Skint, Soul Jazz, Classic, Whatever We Want, and he’s worked with fellow travellers, Belgium’s The Glimmers. If Matt comes up with another two projects he’ll have enough alter egos for every day of the week.
Psychologists would probably have a field day with him; mercifully, we don’t have to worry about any crisis of identity, we just get to keep on dancing.
Openers:
Matt Rissi aka Sonar
Jon Hester
18+
Doors @ 10 PM
Tickets: $8 Before 11:30, $10 After
Members: $8 Cover All Night
For booth reservations call 612-968-6636
Foundation Nightclub
www.foundationmpls.com
Corner of Hennepin & 5th St
Minneapolis, MN 55402
http://www.eccentricbeats.com/
http://www.enemyrecords.com/
http://www.intellephunk.com/
http://www.myspace.com/rekid/
http://www.rekids.com/ |
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| habs24-7 |
| Well, that just means we have to start working DEE for our hotel sweetcheeks!!! :) hint hint |
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| cmay119 |
| Let's see if my ass can actually make it down this year... |
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