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Sorry but i just need to know this... who in the world is Sean Tyas??? (pg. 4)
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| Mr.Mystery |
| quote: | Originally posted by Victor Dinaire
Judging from the monstrous crowd response each time it gets played, I would have to say he did a kick ass job
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...and of course that has nothing to do with people recognizing the original track? |
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| chrisday |
| quote: | Originally posted by nfekted
why the hate on Tyas? He's ing great are you kidding me?? He might re-work a lot of stuff and add that bang, but his stuff is still quality. It's not like he's ripping off the track. He adds his touch and makes it work. Stop the hate and appreciate. |
Theres no way hes bad as people make out...
I for one can't stand all the numerous remixes of classics. But what he does make up for is a few quality tracks.
Sean Tyas - Lift
Sean Tyas pres. Logistic - One More Night Out
Sean Tyas - Drop
Carl B feat. Breaking Benjamin - Diary Of Jane (Sean Tyas Remix)
Sean Tyas - Memories
Like him or hate him, his sound is the sound of trance music now. He'l fade off into the distance over the next few years. But for now he'l stay strong.
Personally I think hes a poor mans Guiseppi Ottivianni. |
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| RebeL9 |
| quote: | Originally posted by Victor Dinaire
Some people can be unfairly harsh critics on this board when it comes to his productions. For example, his remix to Lost In Love, some people say that his remix wasn't any good and it shouldn't have been touched. Judging from the monstrous crowd response each time it gets played, I would have to say he did a kick ass job
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if todays djs weren't so ing narrowminded and instead played the original I'm pretty sure it would get a great response as well. |
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| Salem |
| quote: | Originally posted by djmaxima
iv'e heard so much about him, most of what iv'e heard bout him is bad.
who is he and why is everyone talking about him? |
bah, a group of people on here hate on him alot, he is doing just fine, making some good trancey trance tunes. Enjoyable for sure, the scene political monkey's will allways talk about him, but he isnt to shabby at all.:) |
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| idoru |
| quote: | Originally posted by nfekted
well I think the trance community knows a dj is going to drop his own stuff in his set, therefore equating my statement with the fact that people want to hear his productions and work.:D |
Again, just because large portions of people want it doesn't make it good. Take Paris Hilton, for example. She's incredibly popular, yet is she really worth anything, does she provide anything interesting, educational or important? No. |
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| Gauss |
| quote: | Originally posted by eRRaTiK
Sean Tyas ASOT 300 set
01. Thomas Datt - 2v2 Rework (Sean Tyas Remix)
02. Stoneface & Terminal - Super Nature (Giuseppe Ottaviani Remix)
03. Oxia - Domino (Sean Tyas Rework)
04. Sean Tyas pres. Logistic - One More Night Out
05. Beats Of Genesis vs. Legend B - Lost In Love (Sean Tyas Remix)
06. Sean Tyas - Drop
07. Vincent De Moor - Fly Away (Sean Tyas Remix)
08. Carl B feat. Breaking Benjamin - Diary Of Jane (Sean Tyas Remix) |
Out of 8 tracks he played 7 have been poisoned with his essence. What a whore. |
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| nfekted |
| quote: | Originally posted by Salem
bah, a group of people on here hate on him alot, he is doing just fine, making some good trancey trance tunes. Enjoyable for sure, the scene political monkey's will allways talk about him, but he isnt to shabby at all.:) |
well said.
Idoru, would they want to listen to it if it wasn't quality???? One's taste plays a part here too you know. Put yours aside for a sec. What you said does make sense to some degree though. But not completely.
btw, his Beam - On Your Mind rmx was great imo. |
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| Victor Dinaire |
| quote: | Originally posted by Mr.Mystery
...and of course that has nothing to do with people recognizing the original track? |
not many people in the scene today know the original to that track as it was made in the mid 90's except for some tranceaddicts that are serious music enthusiasts.
of course people react by recognizing remixed songs but sometimes a remix brings new life to an old track or saves a track from bombing. depends on the record |
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| bas |
| quote: | Originally posted by Victor Dinaire
of course people react by recognizing remixed songs but sometimes a remix brings new life to an old track or saves a track from bombing. depends on the record |
In this case it did neither. |
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| nefardec |
| quote: | | not many people in the scene today know the original to that track as it was made in the mid 90's except for some tranceaddicts that are serious music enthusiasts. |
you've just pinpointed the deejay's job
it's not to whore his own productions. deejaying is not a promotional tactic |
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| paulandrews |
| quote: | Originally posted by nfekted
Idoru, would they want to listen to it if it wasn't quality???? |
Yes. People listen to a lot of crap. |
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| idoru |
| quote: | Originally posted by Victor Dinaire
not many people in the scene today know the original to that track as it was made in the mid 90's except for some tranceaddicts that are serious music enthusiasts.
of course people react by recognizing remixed songs but sometimes a remix brings new life to an old track or saves a track from bombing. depends on the record |
Wait. It's the main melody of a track that the crowd usually goes nuts over. So why then is it only possible for a new remix that uses THE SAME melody as the original to only be able to bring a present-day crowd to life? Shouldn't the melody of the old, original version still be able to make the crowd go nuts?
By the way, in most Trance events I've been to do you know what tracks have always received the biggest responses? The shoddy remakes of old tunes. Why? Well the answer is quite simple; the crowd knows more than you may think they know. They know their classics, and when they hear the melody they love they're going to go nuts.
It's not the new, harder kick or the updated bassline, or maybe the change in synth that the crowd goes crazy over. It's the melody. Nothing more, nothing less.
That being said, I would like to present a challenge to you at your next two gigs. At the first gig, play a new remix of an old classic and record the response. At the second gig, play an original remix of the same tune and record the response. Present me with proof that what you say is real, because my experience as a part of the crowd and not as a producer tells me otherwise. |
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