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"...techno finally gets its very own "Digweed" quality dj" (pg. 6)
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| junknown |
if u were expecting huge breakdowns and snare rolls and epic trance chords with big bloops and crashes and lyrics, then your not goin to get it.
if u didnt and still dont comprehend what was so artistic about the classic GUs and Renaissance sets, ur not goin to get it.
no offense ur just the average thinking dj. its not ur fault u were just born that way. |
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| MSZ |
| im convinced i was born a trans. |
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| Adam420 |
| quote: | Originally posted by junknown
if u didnt and still dont comprehend what was so artistic about the classic GUs and Renaissance sets, ur not goin to get it.
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When did I say that I didn't? I own almost all the GU compilations, and several Renaissance ones as well.
Carry on. |
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| pozz |
"trance message board"...? on the first page of the dj promotion forum we have: euro, trance/prog, breaks, psy, techno, deep house, ambient, instrumental hiphop, & other genres.
jesus man, we have street cred up the ass and out the mouth. and most posters have heard the majority of those comps you mention. |
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| Cliffy Burrows |
| quote: | Originally posted by junknown
...and this is what happens when u post about techno on a 'trance' msg board. drama? really? have u even kno what techno is? i mean like drumcode techno, adam beyer, dustin zahn. research their sets, they represent the global techno dj scene and they arent creating anythin as "dramatic" or coherent as these junksciencc sets.
so wrong msg boards.
-ive listen to a few of the sets of those who made comments and for starters i understand where ur coming from. completely. drawing board. |
First of all I have listened to some of these 'groundbreaking sets'. The mixing is pretty good and the tracks aint that bad. To compare these to the works of Digweed though and to say this isn't you, your obviously out of your ing mind.
Secondly, you post this on any dedicated Techno message board, you will get a backlash way harsher than anything you have experienced on here. Do me a favour pal. Close the door on your way out. |
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| junknown |
but im not getting that ur understanding what i mean about mixing. im not really speakin of live sets. thats actually a whole different animal. live u can get away with alot more with uncoordinated programming and the engineering becomes more simple.
man been on these boards all day. im so glad that i dont care about my day job (office space tude).
this is very intricate mixing. u kno, i forget who it was earlier who shared a link of a Japanese dj who was spinning 100000bpm but if u listen closely to his mixing. he seems to be very n intricate in his selection and timing and how on key everything works. yes it may sound like a bunch of mundane loops, bells and whistles to those on the surface but if u comprehend that genre and have immerse urself within that sound then a set mixed in this manner becomes even more powerful.
it wasnt so much that we were sayin he was the next big thing for the digweed or dave seaman sound but that he was mixing and skill style emulates those but using that genre of techno or deep techno or progtechhouse (whatever u want to call it) to create his world for 60 to 70mins |
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| Cliffy Burrows |
| quote: | Originally posted by junknown
but im not getting that ur understanding what i mean about mixing. im not really speakin of live sets. thats actually a whole different animal. live u can get away with alot more with uncoordinated programming and the engineering becomes more simple.
man been on these boards all day. im so glad that i dont care about my day job (office space tude).
this is very intricate mixing. u kno, i forget who it was earlier who shared a link of a Japanese dj who was spinning 100000bpm but if u listen closely to his mixing. he seems to be very n intricate in his selection and timing and how on key everything works. yes it may sound like a bunch of mundane loops, bells and whistles to those on the surface but if u comprehend that genre and have immerse urself within that sound then a set mixed in this manner becomes even more powerful.
it wasnt so much that we were sayin he was the next big thing for the digweed or dave seaman sound but that he was mixing and skill style emulates those but using that genre of techno or deep techno or progtechhouse (whatever u want to call it) to create his world for 60 to 70mins |
Your not listneing to feedback though bud. You need to take what is been said and let it sink in. These are nothing special, the mixes are no more different than hundreds of mixes that get posted across many download sections, not just this one. I'm not saying they are bad, I do think they are good however they have no soul or feeling to them. The build doesn't really take you anywhere. You can put as many tracks as you like together and tightly mix them and weave them together as you like but at the end of the day if you blend it all together with average tracks, it just isn't going to go anywhere other than something someone might stick them on why they paint a wall in the house or clean the car. They certainly wouldn't get any club in a frenzy if played live, not even on a warm up. |
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| pozz |
| quote: | Originally posted by junknown
i forget who it was earlier who shared a link of a Japanese dj who was spinning 100000bpm |
where? could you post it again?
that intricate stuff doesn't really cut it. no-ones asking you to be a producer. there was some guy a while back who posted a hour-long mix with 300+ tracks. interesting, but not something i would keep. definitely gets monotonous at parts. same with this stuff. it might be ubercomplex, and i couldn't even begin to guess where most of the work lies, but, do i want to, when the result is so typical? are you saying adam's sets are uninspired because he doesn't keep a loop going for 10 minutes? |
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| junknown |
yes they thought the same thing about digweed's GU hong kong. i wonder what followed that?
btw i would put my money that "anonymous" has more experience not only in production but spinning in 'bigroom' venues, simple lounges, at conference, festivals & residencies. , i probably have already and i started in 2001, which is not very long considering those ive surrounded myself with.
saying these tracks wouldnt put a dent in a club then u just showed ur ignorance. do some research. if ur goin to debate about somethin of this magnitude. ur in the wrong league. |
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| Cliffy Burrows |
| quote: | Originally posted by junknown
yes they thought the same thing about digweed's GU hong kong. i wonder what followed that?
btw i would put my money that "anonymous" has more experience not only in production but spinning in 'bigroom' venues, simple lounges, at conference, festivals & residencies. , i probably have already and i started in 2001, which is not very long considering those ive surrounded myself with.
saying these tracks wouldnt put a dent in a club then u just showed ur ignorance. do some research. if ur goin to debate about somethin of this magnitude. ur in the wrong league. |
And your on another planet. I've been going to clubs and listening to dance msuic since 1989 however I'll do you a favour and post these on a board dedicated to this genere. Maybe an absolutle arse roasting might make you snap out of your delusion.
I'm still laughing at the fact your trying to pretend these arn't yours. |
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| junknown |
| quote: | Originally posted by pozz
where? could you post it again?
are you saying adam's sets are uninspired because he doesn't keep a loop going for 10 minutes? |
no, and i didnt say uninspiring. i think i lose u or didnt explain my self right i used the word intricate. what i meant is that every loop of that track plays off and compliments each loop of layered track that its being mixed with. whether its a samples, a melody (which someone mentioned earlier, basslines, drums/ percussion(see danny howells Nubreed or lawler)but also detailed in the direction. most djs that use this formula use baby steps to get to "arch" of the set. or u could just spin crusher after crusher in this way like u hear alot of bigwigs do live (ex daveseaman). preprogramming is a must. zabiela impressed using this formula. but majority of big name djs by evidence of their studio sets do not. |
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