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Awww c'mon Woony
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| enydo |
I see you in them there RA reviews, you're not down with SOPHIE?
How can you hate?!?
Oh, and then we have this spectacle:
http://drinkqt.com/ |
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| Mr Game+Watch |
| Yeah... gonna have to agree with Woony on this one... :P |
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| Sykonee |
| If Andrew Ryce says it's culturally relevant music (which any 4+/5 rating at RA tries to claim), then it must be so. This... just sounds like laptop bedroom wank 4Chan types upload for a larf. Still, those people are the next generation, so... |
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| Woony |
| I changed my mind. This is the best musics in the history of musics. |
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| enydo |
| quote: | Originally posted by Sykonee
If Andrew Ryce says it's culturally relevant music (which any 4+/5 rating at RA tries to claim) |
Is that what those ratings are trying to claim? |
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| Sykonee |
| If something earns that sort of score, it's supposed to be of quality that will stand the test of time - hence culturally relevant, or at least dictating where trends show potential lasting significance. In theory, anyway. |
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| enydo |
Ok, well I've never really thought of numerical numbers attached to music in that way, but I suppose that makes sense.
I'm curious to go back through some of the bigger review outlets and look at some of the pivotal/"touchstone" type albums from the last few decades to see how they stacked up at the time. |
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| Woony |
| quote: | Originally posted by enydo
I'm curious to go back through some of the bigger review outlets and look at some of the pivotal/"touchstone" type albums from the last few decades to see how they stacked up at the time. |
I went through the RA review archives three or four years ago, clicking on everything that was rated 4 or higher. The 4,5s had a slight tendency do be stuff that was trendy at the time (say, mnml around 2006) but most of the 5s still will be regarded as classics today. |
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| enydo |
| If you think sophies bad just buckle up for the nearly certain glut of ripoffs in the coming months. |
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| SYSTEM-J |
| Life's too short for Resident Advisor. |
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| Guest |
| these tracks... :wtf::wtf::wtf::wtf::wtf::wtf::wtf: |
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