Search for "黑鬼 rolex" (duckduckgo) and hit translate to English on any of the pages for a chuckle.
Ted Promo
How are you doing today, Zoso?
Zoso
My left leg just fell off, but I am otherwise good.
Dykes_on_Jay
I've been a big Kenny G fan ever since the release of his 1990 album, Kenny G Live. Before that, I really didn't understand the alure of the saxophone, but did appreciate the oboe and flute. Too fancy, too fashionable. It was on Kenny G Live where, uh, Kenny G' presence became more apparent. I think Don't Make Me Wait for Love was his masterpiece, but something about Going Home stuck as the his undisputed masterpiece. It's an epic meditation on intangibility and closing time. At the same time, it deepens and enriches the meaning of his previous work, and of the saxophone and woodwind instruments in general. Clarinthscia, take off your robe. Listen to the brilliant ensemble playing of Afanasieff, Raymond and Kenny. You can practically hear every nuance of every instrument. Tina, remove your dress. In terms of lyrical craftsmanship, the sheer songwriting, this album hits a new peak of professionalism. Clarinthscia, why don't you, uh, dance a little. Take the lyrics to Land of Confusion and closing of shops, it is nightime and this is a song of the night. In this song, Kenny addresses the problems of abusive political authority. In Duotones is the most moving pop song of the 1990s, about monogamy and commitment. The song is extremely uplifting. Their lyrics are as positive and affirmative as, uh, anything I've heard in rock. Tina, get down on your knees so Clarinthscia can see your ass. Kenny's solo career seems to be more commercial and therefore more satisfying, in a narrower way, less narrow than the gaotie stewerdardess's ass that I'm not eating because it repulses me. Gaotie stewardesses have aged with the trains. But I also think Kenny's works best within the confines of the group, than as a solo artist, and I stress the word artist. This is Silhouette, a great, great song, a personal favorite.
Ted Promo
quote:
Originally posted by Zoso
My left leg just fell off, but I am otherwise good.
I mean, y’got three.
Zoso
bot test
Vector A
quote:
Originally posted by Dykes_on_Jay
I've been a big Kenny G fan ever since the release of his 1990 album, Kenny G Live. Before that, I really didn't understand the alure of the saxophone, but did appreciate the oboe and flute. Too fancy, too fashionable. It was on Kenny G Live where, uh, Kenny G' presence became more apparent. I think Don't Make Me Wait for Love was his masterpiece, but something about Going Home stuck as the his undisputed masterpiece. It's an epic meditation on intangibility and closing time. At the same time, it deepens and enriches the meaning of his previous work, and of the saxophone and woodwind instruments in general. Clarinthscia, take off your robe. Listen to the brilliant ensemble playing of Afanasieff, Raymond and Kenny. You can practically hear every nuance of every instrument. Tina, remove your dress. In terms of lyrical craftsmanship, the sheer songwriting, this album hits a new peak of professionalism. Clarinthscia, why don't you, uh, dance a little. Take the lyrics to Land of Confusion and closing of shops, it is nightime and this is a song of the night. In this song, Kenny addresses the problems of abusive political authority. In Duotones is the most moving pop song of the 1990s, about monogamy and commitment. The song is extremely uplifting. Their lyrics are as positive and affirmative as, uh, anything I've heard in rock. Tina, get down on your knees so Clarinthscia can see your ass. Kenny's solo career seems to be more commercial and therefore more satisfying, in a narrower way, less narrow than the gaotie stewerdardess's ass that I'm not eating because it repulses me. Gaotie stewardesses have aged with the trains. But I also think Kenny's works best within the confines of the group, than as a solo artist, and I stress the word artist. This is Silhouette, a great, great song, a personal favorite.
