by ********
also I'm wondering what you made it with cause the sound quality of your instramentation is great
Equipment used:
SuperWave TrancePro
Novation A-Station
EMU XtremeLead
EMU E5000 Sampler
Roland VM-7200 Digital Mixer
Alesis M1 MK2 Active Monitors
Echo Mia Soundcard
AMD XP2000 based PC and Cubase VST 5
hmmmm....I dont know what I should think of this....not bad, not good....but it is only my opinions
Sep-19-2004 20:41
Jay M
Connecting dots...
Registered: Jan 2004
Location: The Hague, Holland
Bassline is ok, but it eats to many room.
Not too fond of the buildup, it's not structured.
The crash is really disgusting, sorry but please low cut the hell out of this and put a reverb on it (it'll be better I promise )
Snares are a bit too loud I guess.
Im actualy waiting for a melody to come...
Thanx Jay M, the tip about the cymbals has really helped & the bass had too much stereo panning on it. Have centered that up and seems to take alot less room in the mix.
BuRo, you never give me any good feedback! Well, nothing constructive
Have nearly got a melody in place. Will repost when the track is finished.
Registered: Oct 2003
Location: Sarnia, Ontario Christian Trance Producer
conX... I continue to love your sound. This has some very similar sounds to that of your "Heroes" remix which I still love.
I really love the selection of instruments here, the bass is nice and the lead is fantastic. This is very U2ish structurally speaking. Kind of sounds like "Where the Streets Have No Name"...not melodically, per se, but ideally.
At 3:00ish, I expected a dramatic depart from the "standard" motif you had been playing...but it was more of the same.
I like your fills... the kick and percs sound fine to me as well. Some type of sine lead should come into play near where you end it...either that or something to pick up and carry your melody. Something in a different sound range to really "spice" up this piece.
Overall I'd say this is shaping up nicely! Always love to hear your stuff ConXion!
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please review my latest AMBIENT track HERE.
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