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Gotta agree with Endre on the use of the atmospheric track in the beginning, it's definitely original and it definitely makes for a different feel, but it doesn't really go with the saw that's playing. Goes nicely with the bassline, both have a slightly dark feeling.
Yeah now the organ at 1:22 has taken away the dark feel. Then dark acid sounds + semi-happy piano. I feel so conflicted!
Not really digging the squarish synth in the breakdown, it's taking attention away from the piano. It's like the piano was the central focus, and then my attention gets divided between the two.
Buildup works really well. Try shifting the lead synth over to the left channel a bit, the piano seems privy to the right channel and it's kind of annoying not having a counterbalance.
4:36 was kind of dissapointing, it goes from a climax to a rather steep dropoff, in terms of sex and a cliff, respectively. Not that this track is as good as sex...not much can compare to sex.
Yeah here we go again with the piano and the dark layering.
Anyways, it's a good track, just needs a little more work. And a steady stream of emotions, not the proverbial bungee jump.
Unless you were trying to say that your soul always feels conflicted like that, in which case you did a good job.
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