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Stu Cox
Supreme smackaddict

Registered: Mar 2003
Location: Southampton, UK
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of course if the producer didn't get any money then the fat cats at the record labels would just get even more... ok, i appreciate with the smaller labels they probably don't earn a great deal but with larger labels i know i'd rather the producer was getting the money for their work!
and djs don't get that much... people at the kinda level of jon o'bir, gtr, etc (i.e. up and coming but relatively widely known by those into the scene, jon's had an essential mix too) charge around £400-500 per set (depending on the night, location, etc), of which his agent probably takes 10 or 15%, leaving him with as little as £350... if you're only playing once or twice a week (as is likely to be the case) then you're only looking at an £20k-£25k salary (obviously production, engineering, drug dealing - joke!, etc can help add to this)
but then of course PvD charged £12k for his 2hr set at slinky on friday night... you can live VERY comfortably on 1 of them a month!
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Stu Cox | 

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Apr-11-2005 00:03
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IDarkISwordI
Supreme tranceaddict

Registered: Oct 2004
Location: Clay Center, USA
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As a part owner of a label, I can fill in a few details but I'll stray from getting too specific. We only sign artists that have a lot of potential to bring in a lot of money. This is not so we can role in the cash because, and I wont say the percentage but it is a set rate every artist gets, because the employees of the label get paid less than each individual artist. We get far less than half, I'll go so far to say that we get less than a third of the final profit of the company. Why? Because all we do is have music pressed, published, and distributed. I'll also tell you guys that I encourage the artists to not do it for the money either because as said several times on here, that ends up hindering the income of the company. No income = less artists being signed and less artists who can actually have thier songs pressed. Since the label picks up the tab on practicly everything, it is at a loss if an artist is getting too... cocky. Artists who perform well are what we want, but we also want to reward them for allowing us to do business with them as well as the chance for them to improve greatly by the extra cash. Someone said a while back that a signing wouldnt pay for a months rent. Well that only applies to those other crap labels, mine is much different, much more liberal and more interested in getting notoriety than money. So it really does depend on the label. 
Cheers,
Zac
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---FL Studio 9 User---
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Apr-11-2005 13:03
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kopi_luwak
K.O. 3.14159265

Registered: Aug 2004
Location: Your Moms Bed ...
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WARNING
The next post is rated M (Mature) have content that may be suitable for persons ages 17 and older. Posts in this category may contain mature sexual themes, more intense violence and/or *strong language*.
First of all, why you people assume I want to get signed or sort of? Come on man, have u seen my level? It fucking sux, I am not a dumb, I am rook right now, and I totaly know it, so I dont have any interest to get signed, first, because my work right now it's totaly crap, second, because I am learning how to produce Trance and gonna take me at least 3 years to do some decent works, etc, so dont missunderstand the question, it's a simply curiosity PLUS no one answered straight, plz dont tell me you have never asked yourself the same question because is utterly bullshit, plus I dont really want to get signed as a Trance Producer in 5 or 6 years, when I hope *plz god plz* I will be a cool producer, instead I am more into New Age Music, and I have always loved to Produce New Age Music, even when I love Trance and I am trying it right now .
Kopi =o.
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My forum for Down Tempo/Ambient/Chillout Music Producers.
www.chilloutworld.com
Where the world spins sligthly slower ...
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Apr-11-2005 14:23
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