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TranceAddict Forums > DJing / Production / Promotion > Production Studio > ...That "professional" sound
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CynepMeH
Let me wash your Apple!



Registered: Oct 2002
Location: Miles away from ordinary...

quote:
Originally posted by filoandperi
hey man,

what are the details of your setup?



Dom, thanks for all the tips, much appreciated. BTW, I'm not busting on your setup, I'm berating my abilities . Ok, so here's the list so far:

Access Virus KC
Alesis A6 Andromeda
Novation Supernova II rack
Roland JP8080
Roland JD800
Yamaha AN1X
Electron Machinedrum
Korg MicroKontrol

Soft VSTi's:
Vanguard
FM7
NI Kontakt 1.5
Atmosphere
Reason 2.0
Rebirth

DAW:
Cubase SX 2.0.1
FL Studio
Ableton Live
Sonar 3 Producer
Buzz

PC:
Intel P4 3.06 HT
1.5 DC (dual channel) DDR RAM
3 x Seagate Cheetah 72GB Ultra 160 drives

Patching:
Edirol UM 550 MIDI
Neutrik Patchbay

Recording:
RME Multiface 96

Monitoring:
Mackie HR 824
Rolls rack mixer

So, that's my humble rig...

BTW, always wanted to find out, how did you get that sound in "Crush" - I can't even desribe it... It's a very high-pitched swoosh that comes on right at the end of build-up. I can only describe as a slash on eardrums with a razor (i mean it in a good way).

BTW - love your productions and live sets! Do you offer production/mastering lessons?


Talk to ya later!

Thanks for ur help.





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Proud member of the "Filthy Zionist" coalition

Old Post Apr-23-2004 09:45 
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Jay M
Connecting dots...



Registered: Jan 2004
Location: The Hague, Holland

quote:
BTW - love your productions and live sets! Do you offer production/mastering lessons?


Some online lessons would be great


___________________
- Yarune-Music.com - Click to visit website -
Productions:
Airballoon [Intuition] | The Book Of The Water | Sands Of Time | Terraphonic - Ad Hoc Havoc | Muse - Uprising (Yarune Remix)
Also visit my soundcloud and Twitter

Old Post Apr-23-2004 10:35  Netherlands
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UriPui
tranceaddict in training



Registered: Mar 2004
Location:

Mmm, that's a great thread...

What's about "Nyquist Mirroring"? A theory that's true? If yes, how to use?

Please, take a look here:
http://www.metamacro.com/awezoom/skale/tutorials.htm


Cheers,
Uri

Old Post Apr-23-2004 18:05  Germany
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BassAngel
Supreme tranceaddict



Registered: Dec 2003
Location: Sheffield, UK

quote:
Originally posted by BetaFactory
I have only learnt the basics of EQ by experimenting by my own, and I have a question for you:

Lets take the kick drum and the bass drum. I guess these can occupy the same frequencies as long as they do not "cover" each other? But what with moving basslines that cover the whole pattern, and thus also covering all the kick drum notes? I've never really thought of EQ:ing when it comes to kicks vs. bass, I've only EQ:ed away sub frequencies from leads, pads, effects etc.


One thing you could try is sweeping the EQ on your bassdrum to get the key points - the top punch and the bottom thud (not the rumble) and then cut those points on the bass channel, not necessarily too much though. That way your bassdrum cuts through. I find that by using three layers of bass and doing that it somehow seems to sit ok.


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"If you don't stand for something, you'll fall for anything!"

anon

Old Post Apr-25-2004 12:14  United Kingdom
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halo
...



Registered: Jul 2002
Location: GTA #303 ;P

quote:
Originally posted by UriPui
Mmm, that's a great thread...

What's about "Nyquist Mirroring"? A theory that's true? If yes, how to use?

Please, take a look here:
http://www.metamacro.com/awezoom/skale/tutorials.htm


Cheers,
Uri


There's nothing really more to it than said in the article. The sampled signal in your computer it pure theory, containing frequnecies "mirrored" at every multiple of the samplerate, even negative ones. Like if you sampled a signal containing two sinewaves the original spectrum would look like this:

...I..I....,...........;

(with ";" depicting the samplerate and "," as its half)

the postive spectrum of the sampled signal would look like this:

...I..I....,....I..I...;...I..I....,....I..I...;...I..I....,.. (and so on)

Now if push frequencies beyond half the samplerate they start reappearing from higher frequencies going down.

Let's push one tone up: (i'll mark the mirrored ones as "i")
...I...I...,...i...i...;...I...I...,...i...i...;...I...I...,..
...I....I..,..i....i...;...I....I..,..i....i...;...I....I..,..
...I.....I.,.i.....i...;...I.....I.,.i.....i...;...I.....I.,.i
...I......I,i......i...;...I......I,i......i...;...I......I,i.
...I.......I.......i...;...I.......I.......i...;...I.......I..
...I......i,I......i...;...I......i,I......i...;...I......i,I.
...I.....i.,.I.....i...;...I.....i.,.I.....i...;...I.....i.,.I

See how the mirrored frequency slowly moves down while the original is pushed opwards? Now as it is assumed that the singnal contained only frequencies up to samplerate/2 everything above is cut off to restore the analog signal. But as we pitched the original up, some of the theoretical mirrored parts slip though and become reality.

As for examples... take a bad softsampler an play a bass sample with lots of harmonics as high as you can. Chances are that you can hear bassnotes counteracting your play.
As the pitch of the aliases also depends samplerate, its very hard to impossible to use the effect in a musical way. But be aware of it, as it can add unwanted material to your mix.


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DISCLAIMER:
The above text is believed to be derived from objective logic. No personal offence, implicit or explicit, is intended. Ambiguous expressions are to be interpreted in the less offensive way.

Old Post Apr-26-2004 11:27  Germany
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CynepMeH
Let me wash your Apple!



Registered: Oct 2002
Location: Miles away from ordinary...
Smile Tongue Dom, where are you? =)

Hey Dom, where's your much needed input!

C'mon, take some time away from your busy schedule hanging out with PvD and post your reply, damn it! LOL


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Proud member of the "Filthy Zionist" coalition

Old Post May-02-2004 15:26 
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