Awesome I've been waiting for a new track, I liked this one but not as much as fading into time, it has parts I'll really like (4:35)also from 10:00 on is pretty dope, but then it'd go to something I'd rather not listen to. I usually dont like higher bpms it'd be cool to hear something slower from you like something with minimal sounds, you should work on ahour mix or a 30 min mini mix.

quote:

Originally posted by ******** but there are some limitations to fruity I think or there was with 999 patterns.. I have got to that point before..

I'm downloading the track, but it's too late now at 4AM, I'll report back on this tomorrow.

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This one starts off kind of rough, but everything past like 4:25 or so is really good.

Everything from about 4:25 through about 10:45 or so is just beautiful. The way all the sounds work together is really mesmerizing.

If you could just use that portion of the FLP, polish off the mixing, make a little intro and outro bit for the beginning and end of it, and give it a bigger kick and a louder, more defined bass, you'd have yourself a real monster of a track IMO. You should really do that.

Last edited by MrJiveBoJingles on May-23-2008 at 04:25

I really think you're one of the most talented people in this forum.

A lot of tracks I hear on this site seem really "sedated," even if they're at high BPMs -- it's kind of hard to describe, but it's like they're too "calculated" and planned out or something -- but a lot of yours have a different kind of energy, like you just let things out instead of spending so much time planning every little bit of a track down to the last EQ adjustment. It's very different and also very good.

Many tracks I hear in this forum come across like they were written by very good sound engineers with only a slight, passing interest in the music itself. Yours come across as the complete opposite -- they sound like you put more energy into the music itself than into the technical details, and that's awesome.

Last edited by MrJiveBoJingles on May-23-2008 at 04:47

quote:

Originally posted by MrJiveBoJingles I really think you're one of the most talented people in this forum. A lot of tracks I hear on this site seem really "sedated," even if they're at high BPMs -- it's kind of hard to describe, but it's like they're too "calculated" and planned out or something -- but a lot of yours have a different kind of energy, like you just let things out instead of spending so much time planning every little bit of a track down to the last EQ adjustment. It's very different and also very good. Many tracks I hear in this forum come across like they were written by very good sound engineers with only a slight, passing interest in the music itself. Yours come across as the complete opposite -- they sound like you put more energy into the music itself than into the technical details, and that's awesome.

Yep i agree, people (i am guilty myself) get caught up in all the tweaking of synths eq's and whatever else. I dont think a lot of tweaking is bad, but it should be an afterthought not the whole basis of the track. You can tell on all the tracks you make the melodies are the base as they should be.

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HARD TEKNO

When are you gonna come up with a track I can listen from beginning to end.

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this one goes like this...

intro: barely ok. it sounds like it's going in a GREAT direction at about 1:40 with those pads but just 10 seconds later you dropped that and inserted some shit sounds.

2:20-04:30 : utter shit.

4:30-11:00 : this is actually freaking TRANCE! real trance! great! maybe a bit too happy sounding but i like this.

11:00 onwards : sounds like Bozo the Clown has been raped by a group of Lord of Bass fans and afterwards decided to make a song about it, by making noises with his mouth.



Now, seriously, you know what you need? A co-producer. Not a co-producer in a traditional sense that would be with you during the composing process, but someone that would take over once you're finished and would clean up the mess. Because there's tons of potential here, but also tons of turds floating inside your .flp file.

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