Originally posted by Stu Cox
Have they given up on the DJM2000 then? It was a crock of ... I've never seen one installed in a club. Or were they never really planning to try and get it into the clubs as a replacement for the 800?
To my surprise, I've seen them a lot here in LA. I thought no one would buy them, but I was wrong. I even know DJ's who purchased them.
limin_li
Pioneer American HQ is located in Long Beach. Of course you see more Pioneer DJ products on every DJ booth in the West Coast.
Stu Cox
quote:
Originally posted by A.B
The last thing he said was "It's gonna be the way forward"
How ing so James???
Is your average general clubber going to say "hey - they've got that new Pioneer Nexus mixer installed down at the (insert club name) LETS GO!!" ?
Nope.
I have yet to see ANY sunbstantial evidence that ANY technological advances have drawn numbers into clubs or bars ANYWHERE.
What happened to a DJ just turning up and just playing and mixing ing music without any of this so called "way forward" ?
This will be great for technophobes who like to make other peoples ears bleed and gullible bedroom DJ's only.
It's just more clever marketing from Pioneer.
It will do nothing for the fact that clubs, pubs and bars are failing to break even all over the place and going out of business.
"Way forward"?
ing up more like.
And you haven't even seen it yet :D
But to be honest, I still think all a mixer really needs is gains, EQ, faders, a decent cue system and a decent FX send/return loop. If a DJ is that passionate about his effects, he'll be willing to bring an FX box along with him. The one exception possibly being filters because they're so useful - I wouldn't really call them an effect.
This is why I haven't upgraded my battered 6 year old DN-X1500 and haven't really got any plans to... does everything a mixer needs to, I'd much rather spend my money on other kit.
DJ RANN
quote:
Originally posted by Stu Cox
And you haven't even seen it yet :D
But to be honest, I still think all a mixer really needs is gains, EQ, faders, a decent cue system and a decent FX send/return loop. If a DJ is that passionate about his effects, he'll be willing to bring an FX box along with him. The one exception possibly being filters because they're so useful - I wouldn't really call them an effect.
This is why I haven't upgraded my battered 6 year old DN-X1500 and haven't really got any plans to... does everything a mixer needs to, I'd much rather spend my money on other kit.
+1. I feel exactly the same way and is why I use a mixer (and have a spare of it in brand new condition) that was discontinued 8 years ago.
DjWoody
17th February 2011: After five years at the top, it?s time for an update to the DJM-800 club mixer. Enter the DJM-900nexus ? the next level in creativity for the pro DJ. Headline features include ultimate computer connectivity, up-to-date effects, high performance features and sound. All based on the world?s favorite DJM-800 industry-standard layout.
The four-channel 96kHz/24-bit soundcard streams all audio signals with no loss of sound quality ? and being Traktor Scratch Certified, the DJM-900nexus unlocks DVS control. DJs can connect one USB cable and control Traktor with Timecode CD and/or vinyl, directly through the mixer.
Six stunning studio-quality SOUND COLOR FX expand upon the previous four and add extra dimensions to any DJ set. With a dedicated FX processor for each of the four channels, it raises the bar once more. An overhauled BEAT EFFECTS section further enhances the potential for mind-blowing arrangements: five new effects, a revolutionary level of control and Pioneer simplicity will rival any other system.
The new built-in X-PAD brings instant one-finger BEAT EFFECTS performances. Users of the CDJ-2000 and CDJ-900 can hit the DJM-900nexus QUANTIZE button to lock all these new effects to the Beatgrid of the playing deck.
The DJM-900nexus layout is the industry?s most intuitive, most widely used and most creative. With the new plug-and-play software connection that makes DJ transition a breeze, the result is a next generation mixer that is ready for professional DJ booths the world over. Due for release late March 2011, the newest addition to the club-standard DJM range will retail at 1,899 euros inc. VAT, ?1599 inc VAT.
KEY FEATURES
SOUND COLOR FX
Engineered to bring studio quality sound and sequencer style tricks to the club, six new beefed-up effects turn creative vision into a reality at the twist of a dial. In addition to the essential FILTER and CRUSH, the DJM-900nexus boasts four new modern effects. The massively popular NOISE from the DJM-2000 is added by popular demand, while the brand new and seriously lush SPACE reverb brings high-pass and low-pass ambiance to every channel. The new DUB ECHO also has high-pass and low-pass control over a new tape delay effect to twist with your mind as you slip the timing. The amazing GATE/COMP strips back your music to the peaks, or beefs it up to seamlessly blend drastically different productions together in the mix.
Overhauled BEAT EFFECTS add a whole new level of control
On top of the six super-easy COLOR FX on each channel, the channel-assignable BEAT EFFECTS bring a whole new level of control ? making extreme processing more reliable and creative with instant results. Let?s start off with the new control interface:
QUANTIZE: rekordbox?
QUANTIZE picks up BEATGRID data over the ProDJ Link. Simply connect the DJM-900nexus to the network and compatible CDJs send real-time BPM and beat position data to the effects, even as you adjust and bend the pitch in the mix! Without perfect timing, heavily timed effects like TRANS, ECHO and ROLL can be dangerous to use, but with this new QUANTIZE stability and guaranteed timing, it?s easy to be wildly creative with the confidence of a seasoned Pro.
X-PAD: In addition to the BEAT buttons that change the timing, the intuitive X-PAD is a touch-sensitive strip that simultaneously engages the BEAT EFFECTS, while adjusting things like the REVERB filter, ROLL time, and PHASER LFO ?? using just one finger!
TWIN LFO: Bringing a new approach to FILTER, PHASE and FLANGER sweeps is a twin LFO. LFO1 is controlled by the BEAT buttons, while LFO2 expresses further wobble factor using the X-Pad.
New High Quality Effects for a digital generation
REVERB: DJs looking for processor-intensive reverbs no longer have to gamble with the stability of laptops to get the best quality. REVERB brings lush studio quality with a two-minute tail, pitched room size control and input frequency filtering for stunning results.
SPIRAL: This pitch echo with feedback looping can create psychedelic breakdowns and interludes from a single hit.
SLIP ROLL: A DJM-2000 favorite, this ultimate beat-mashing tool puts rhythmic slicing and dicing at your fingertips. Continuously re-sample and loop fresh chunks of audio as you slide between loop sizes on the X-PAD, in perfect time with the beat.
MELODIC: This side-chain pitching sampler is another inspiration from the DJM-2000. Hit the X-Pad to simultaneously sample from the selected channel, and hold your finger down to trigger the sample from the peaks of the underlying music. Then slide your finger along to adjust the sample length while you change the playback pitch with the BEAT buttons.
MIDI LFO: The use of external effects units and software effects also takes a major leap. The twin LFO from the BEAT EFFECTS is now broadcast via Midi and USB, making it possible to control software effects with Quantize accuracy, right from the familiar DJM-900nexus controls.
PRO DJ LINK functionality enhances performance
The DJM-900nexus joins the PRO DJ LINK family with a LAN connection that brings three revolutionary new features. NOW ON PLAY warns you that a CDJ is playing out to the speakers. As soon as you turn up the corresponding mixer channel for a playing deck, the CDJ-2000 platter illumination changes from White to Red, or the CDJ-900 LINK icon flashes. The BEAT EFFECTS benefit most of all from the PRO DJ LINK as they now use rekordbox? BPM and BEATGRID information from compatible Pioneer DJ Players , to keep the effects in perfect time. Finally, CUE LINK is like an additional audio channel to preview music in the headphones, straight from rekordbox?.
Fully TRAKTOR? compatible for plug-and-play simplicity
TRAKTOR? users can connect their PC to the mixer via a single USB port ? conveniently located on top of the unit - to get direct input from TRAKTOR?s four decks and enjoy all of its features. The DJM-900nexus is a TRAKTOR SCRATCH certified compatible mixer, meaning scratch control functions that use a time code disc can be accessed, without the need for an authorized Native Instruments Audio Interface and all the extra connections.
Built-in four-channel high performance soundcard
Supporting 96kHz/24-bit high resolution signal processing, the onboard USB soundcard can simultaneously input and output all audio signals with no degradation of sound quality. A user-friendly interface on the PC allows DJs to tweak the output signal path to suit various activities, e.g. DVS control, software playback, producing and recording.
Advanced design for accurate reproduction of audio sources
The DJM-900nexus is equipped with the same high-quality audio input and output circuits as the DJM-2000. A 32-bit A/D converter digitizes and enhances sound quality for all outputs, while the 32-bit digital signal processor (DSP) suppresses digital noise. Even analogue noise is reduced, through balanced hybrid operation amps and output circuits.
New! High performance channel faders
New fader technology and fader caps will make the DJM-900nexus last for even longer between services in super-tough club environments. No longer positioned directly under the fader faceplate opening, the new fader mechanism is out of harm?s way to one side. Two metal shafts make the fader even smoother and extra durable, while the Pioneer P-LOCK Fader Caps are impossible to pull off in the heat of a mix.
Other features
- Fully assignable MIDI functionality can transmit most control information to external devices and can also be used as a MIDI controller.
- Built-in switchable 3-band equalizer (+6dB to -26dB) and 3-band isolator (-6dB to -∞dB).
- Automatically switches to standby if unit is not used or there is no input for a pre-set period of time.
MAIN SPECIFICATIONS
Number of channels - 4 audio channels, 2 mic channels
Input ports CD/LINE?6 (RCA), PHONO?2 (RCA)
DIGITAL IN?4 (COAXIAL)
MIC?2 (front-panel XLR & 1/4 inch JACK dual purpose?1, 1/4 inch JACK?1)
Output ports MASTER OUT?2 (RCA?1, XLR?1)
BOOTH OUT?1 (1/4 inch JACK)
HEADPHONE MONITOR OUT?1 (top surface 1/4 inch JACK?1)
REC OUT?1 (RCA)
DIGITAL OUT?1 (COAXIAL)
Other ports SEND?1 (1/4 inch JACK), RETURN?1 (1/4 inch JACK)
MIDI OUT?1 (5-Pin DIN), USB B port?1, LINK port?1 (RJ45)
Frequency response 20 Hz - 20 kHz
Total Harmonic Distortion ratio 0.004% or less
S/N ratio 107 dB or greater (LINE)
Head room 19 dB
Power source 220-240V (50 Hz/60 Hz)
Power consumption 42 W
Maximum dimensions 331 mm (W) ? 409 mm (D) ? 108 mm (H)
Unit weight 7.1 kg
Visit PioneerDJ for more launch information
---------------------------
About Pioneer Europe
Pioneer Europe NV is the regional European headquarters of the Pioneer Corporation, a global leader in electronics and audio/video products for the home, car, commerce and industry, particularly in the following core multimedia technologies digital versatile disc (DVD), in-car navigation and AV systems. Its shares are traded on the Tokyo Stock Exchange.
For all media enquiries, please contact Pioneer within your country - www.pioneerdj.com
Alternatively, Reshpal Gill at Pioneer DJ (European Marketing Dept.) ? [email protected]
This message has been edited. Last edited by: Gavin, 17 February 2011 12:07 AM
n3lly
I have to say i'm actually quite impressed.
No I wont use any of the effects it has. But instead of reinventing the wheel they've decided to pretty much keep the entire layout identical. I like that.
The symmetrical layout at the back of the mixer for the inputs is fantastic, being a 92 user i've always had to whack my phone out to get some kind of light on the back of the mixer to know where i'm plugging into.
The price is a still a little high but that's expected.
My main gripe with the 800/900 though are the EQ's and faders. And i put this down purely to the fact that I own a 92. I don't like the curves on the faders (again I'd say it's because I'm not used to them) and the Eq's are just not as.... hmm i'm lacking the words to describe them but I suppose their Eq band is too wide for my liking, each EQ takes away so much that I rarely use them when Dj'ing.
The layout though in general is brilliant and while I'd prefer to try out a DB4 for something new I think the 900 will fair better in this age old battle.
:)
Stu Cox
That's a DJM800.
Inrush
quote:
Originally posted by Stu Cox
That's a DJM800.
? how do you say that? this thing blows the 800 out of the water
DJ RANN
quote:
Originally posted by Inrush
? how do you say that? this thing blows the 800 out of the water
Gimme a break. That's a DJM800 with even more bells and whistles than before (which was too many in the first place).
I will say this, I've never see the words "high quality" or "studio Quality" used so much in one press release.
It looks like Pioneer are trying the bulldozer effect with their marketing by attempting to say it so many times that someone might start believing them.
It strikes me a overtly conscious effort to lose their tag as sub standard when it comes to audio quality, especially when pitted against A&H or Vestax's top flight mixers etc.
I can't belive it's $2400 though :eyes: That's ing ridiculous.
chewy dragee
If you have a DJM800 or even 700 you certainly will waste your money upgrading to this.
I doughnut see a great enough benefit compared to a DJM800.
The added soundcard is nice though. But it doesn't really matter.
Stu Cox
quote:
Originally posted by DJ RANN
Gimme a break. That's a DJM800 with even more bells and whistles than before (which was too many in the first place).
I wouldn't say too many, it just feels like they're hitting diminishing returns with the number of FX they're putting on it!
Yeah the soundcard is the big thing here. I know loads of mixers have already got them, but this is one with a good chance of making its way into a lot of DJ booths. The DJM800 is probably in at least half of the clubs around here and if the 900 replaces it as quickly as the 800 replaced the 600, we'll all get to benefit from it too.
Of course you're going to have to pack your audio interface anyway unless you know which mixer you're going to be faced with in advance, but at least you can breathe a sigh of relief when you see the 900 and know you can leave most of the cables in your bag.
Stu Cox
quote:
Originally posted by n3lly
My main gripe with the 800/900 though are the EQ's and faders. And i put this down purely to the fact that I own a 92. I don't like the curves on the faders (again I'd say it's because I'm not used to them) and the Eq's are just not as.... hmm i'm lacking the words to describe them but I suppose their Eq band is too wide for my liking, each EQ takes away so much that I rarely use them when Dj'ing.
Yep, but the filters on the 800/900 sound really grainy and haven't got anywhere near the control the 92 filters have, so if you really need to cut the bass out of a track the EQ can be your best option.
And my big gripe with the 92 is that the EQ knobs are too close together ;) Can't win :D
