|
An audacious campaign to bring about an underground renaissance. (pg. 2)
|
View this Thread in Original format
| Vector A |
The site says:
| quote: | | Do you think that the DJ Mag top 100 poll has lost touch with its underground roots, and as a result its credibility? |
What "underground roots?" The poll started in 1997 and Carl Cox was its first winner. In what sense was Carl Cox still an "underground" name by 1997? The 1998 winner was Paul Oakenfold of all people. True underground name there, lol.
| quote: | | Do you agree that a changed system which recognised the top 500, or top 1000 DJs would give recognition to the many deserving DJs who miss out? |
Seriously? You think people will even want to look beyond the top 100? I doubt many still care past the top 50 as it is. Now imagine a promoter billing a club night with "237th Best DJ In DJ Mag's Poll!" Does that not strike you as absurd?
| quote: | | Would you like an additional category to be formed, for the DJs’ DJ award, where each placed DJ gets one vote for who they think deserves to be #1? |
I suppose that would be interesting to see, at least. |
|
|
| Time4change |
| quote: | Originally posted by Vector A
The site says:
What "underground roots?" The poll started in 1997 and Carl Cox was its first winner. In what sense was Carl Cox still an "underground" name by 1997? The 1998 winner was Paul Oakenfold of all people. True underground name there, lol.
Seriously? You think people will even want to look beyond the top 100? I doubt many still care past the top 50 as it is. Now imagine a promoter billing a club night with "237th Best DJ In DJ Mag's Poll!" Does that not strike you as absurd?
I suppose that would be interesting to see, at least. |
No it doesn't. Promoters, especially ones in far off places, can struggle to book a name that isn't as well known. When the results are released some people will be inclined to review the whole list, and this will increase market exposure.
Underground roots: those two DJs didn't play commercial . Them being a well known name isn't the same as commercial - in fact back in the day they would have been considered champions of the underground scene. Would J00F be classified as commercial if he won? I think not. |
|
|
| Time4change |
| quote: | Originally posted by Vector A
I suppose that would be interesting to see, at least. |
This particular part would go some way to ensuring there is always a credible element of the poll. |
|
|
| Woony |
| quote: | Originally posted by Time4change
Them being a well known name isn't the same as commercial - in fact back in the day they would have been considered champions of the underground scene. |
Wat. Do you even understand what the word "commercial" means? |
|
|
| Time4change |
| quote: | Originally posted by Woony
Wat. Do you even understand what the word "commercial" means? |
Perhaps you can explain it for me ;) |
|
|
| saluyamo |
It maybe different in other cities but the average club goer here has no clue of the DJ Mag poll.
Paris Hilton winning will make no difference, in fact it would probably promote more cheese as she'd use it to market herself as a 'legit DJ in the eyes of club goers'. |
|
|
| Vector A |
| quote: | Originally posted by Time4change
Underground roots: those two DJs didn't play commercial . |
As I recall it, Oakenfold was rather fond of dropping U2 records (or his remixes of them) and even went on tour with them. If that's not "commercial" I don't know what is. |
|
|
| saluyamo |
| quote: | Originally posted by Time4change
Underground roots: those two DJs didn't play commercial . |
I can't speak for Cox, but Oakenfold made his name from making certain electronic music commercial.
There is a difference between commercial and , and commercial and good. |
|
|
| Time4change |
| quote: | Originally posted by saluyamo
It maybe different in other cities |
I suspect it must be.....
| quote: | Originally posted by saluyamo
Paris Hilton winning will make no difference, in fact it would probably promote more cheese as she'd use it to market herself as a 'legit DJ in the eyes of club goers'. |
I disagree. After her shambolic debut and especially if this campaign takes off (like counter on the site) it will discredit her. She's bound to chart anyway, given how many members she has on her fb page - this will give voice to people who say she's . |
|
|
| Time4change |
| quote: | Originally posted by Vector A
As I recall it, Oakenfold was rather fond of dropping U2 records (or his remixes of them) and even went on tour with them. If that's not "commercial" I don't know what is. |
Going on tour with a band could be considered commercial, though it's subjective depending on the band, and the assessor's opinion of them.
Commercial to me is more about making songs with the intent of them having mass appeal. Particularly if that aim is reached through a divergence away from less main stream sound. EG Guetta being top DJ not for DJing, or for his underground productions, but his pop tracks.
A commercial song by a commercial artist could still be remixed in a non-commercial fashion. I don't recall any of his U2 remixes well enough to comment on which side they lie.
To say he was never a champion of the underground is ludicrous though - he was one of the pioneers of Trance, along with - if I remember correctly - Acid House. |
|
|
| Vector A |
| quote: | Originally posted by Time4change
She's bound to chart anyway, given how many members she has on her fb page - this will give voice to people who say she's . |
Well, how exactly are you going to differentiate between the people who voted for Paris because they were her FB fans and the ones who voted for her in a silly attempt to make a "statement" about the poll itself? Does DJ Mag even release the raw numbers that would let you figure out what percentage of her votes were "spoof" votes?
:stongue: |
|
|
| Time4change |
| quote: | Originally posted by saluyamo
I can't speak for Cox, but Oakenfold made his name from making certain electronic music commercial.
There is a difference between commercial and , and commercial and good. |
Kind of my point in the last post. A track can have mass appeal, while staying true to an underground formula/style. |
|
|
|
|
