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Exploration of Sound ( to all producers ) (pg. 8)
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| Joi Lamusic |
| Mantisnl I just felt like :tongue3 about t soft synths ala Rank-1 - Airwave :haha: |
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| Joi Lamusic |
| Vizay, I know that Angelfalls. It would be sooooo nice to get those Ayla synths :) Any ideas how to create them with Reason2??:conf: |
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| Vizay |
believe me....I'm working on it...have been for a very long time now but it's so damn hard coz i don't have a clue to wich synths they are using so i don't know where to start :(
ohh btw trancevision....that awakening sample was awesome! :D
and another tip for all of you using reason out there (this might work in other programs 2 but i only work with reason so i really don't know)
stack many delayeffectors on eachother...for example: if you use one delay with the setting of 3 steps and another delay with 6 steps you get a nice echo effect wich sounds a little more special then that regular all day fading echo :) |
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| Joi Lamusic |
Thanks Vizay about that tip :) I should go and try that!
I am new with Reason and every help is veeeery welcome :tongue3 |
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| Vizay |
| ohh cool...just send a PM if it's anything you need help with :) |
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| big dave |
:tongue3 <===BUMP===> :tongue3
come on ppl keep this thread going cos im sure well all use something from it! anymore tips ppl?! :rolleyes: |
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| Vizay |
i sugest we put it sticky....it's damn good reading if you produce :)
ohh can someone explain rewiering to me btw? |
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| Trancevision |
do you mean rewiring Rebirth to Reason ?
Trancevision |
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| Vizay |
well at least that's what i wanna do :)
i don't know if there is different kind of rewireings but i wanna rewire from rebirth to reason yes :D |
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| acell |
What you do is,
Load Reason, add the rebirth input machine.. then load rebirth.. the 2 progs will sync and you now have some nice live 808's, 909's, and 303's to around with :D |
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| Tom_cowan |
In reply to the request for a scot project base i know roughly hows its made. Its all done with envelopes. Have a base being played every beat and have it being held on for the length of that beat. Then get the sound as dirty as possibly, white noise, the lot. Then you gota use the envelope for the filter. Wack up the attack, this is key, it has to be exactly the right amount of attack so the sound peaks on the off-beat. Then drop the release and sustain down to zero and use the decay so the sound has decayed all the one down by the end of the beat and the start of the next bass note. Both of this values have to be just right or it sounds but get it right and youve got a right scot project bass. Also do a similar thing with the amp envelope, if the sound needs to be more punchy stick some compression over it.
Did that make ne sense? |
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