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Pro Tips On How To Make Your Logic/Cubase Tracks Sound Better And More Proffessional! (pg. 26)
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| Kismet7 |
| Political discussion and Music discussion should not mix. Crono's mistake is that he is bringing in Politics, a topic many disagree on at an emotional level, into a Music environment. If people want to discuss Politics, there are forums for that all over the internet. |
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| mfitterer1 |
| quote: | Originally posted by Kismet7
Political discussion and Music discussion should not mix. Crono's mistake is that he is bringing in Politics, a topic many disagree on at an emotional level, into a Music environment. If people want to discuss Politics, there are forums for that all over the internet. |
Speak for yourself. There isn't much better to debate than politics/big bang man. People just don't know how to be open minded and appreciate differences in opinion. |
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| Storyteller |
| ... in the music subsection :o. |
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| Tom Scott |
| 26 pages of argument :haha: |
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| cristianokeller |
this thread sucks... really we need a moderator here...
Existo you... very bad tuto dude... |
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| Richard Butler |
| quote: | Originally posted by RichieV
Does your DAW have faders ? What bit rate do you mix in ?
Why use a limiter when you can fix the problem without. it seems like most of your advice is just taken from other tutorials except that in the process, you distort the original message.
Your advice is the sort of advice that doesn't teach people to engineer, it teaches people to think they have to eq every channel, compress every channel, lowpass everything in the low end, highpass everything in the higher registers. In essence , it is this sort of thinking that has created a generation of over engineered ty sounding music. |
It depends on the music. I'd engineer your way for classical, but my kids (and I) love the punchy clean hot sound of todays big R n B acts like Kanye West. Some yy old fashioned fader riding will make it all sound lose and unprofeessional and un electronic.
I like a warm but pumping sound for most modern dance and R n B type stuff, but NOT a awall of sound with loads of wailing singers and guitars cluttering my head up. Clean but loud. |
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| xphonix |
Using limiting more than once on your master buss really messes things up. Why would you want to limit your track and send it off to a mastering engineer to be limited again.
Limiting makes things louder at a cost of losing quality. It doesn't make things sound better. God help the people that believe this.
It makes me laugh when you look at todays music and you see/hear that the breakdown for example is as loud as the rest of the track!
Please read this:
Loudness Wars |
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| Existo22 |
| quote: | Originally posted by xphonix
Using limiting more than once on your master buss really messes things up. Why would you want to limit your track and send it off to a mastering engineer to be limited again.
Limiting makes things louder at a cost of losing quality. It doesn't make things sound better. God help the people that believe this.
It makes me laugh when you look at todays music and you see/hear that the breakdown for example is as loud as the rest of the track!
Please read this:
Loudness Wars |
This wasn't about the loudenss war... :sadgreen: Yawn.
ah... nevermind. |
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