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No wonder all tracks sound the same nowadays... (pg. 6)
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| Halcyon+On+On |
| So that's why trance has essential mixes. You only need one, maybe two of them at all. |
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| kuollutrunkkau5 |
| quote: | Originally posted by Mr.Mystery
Long, no - nonsensical, yes. | It's perfectly grammatical, it's just hard to read because it's a very long sentence.
Let me break it up for you:
- You imply to say here
- that trance labels actually do not exist to just make money by
- releasing what-ever people send them, crap or not, on digital download
- because if no one downloads it they lose no money anyway?
| quote: | | I'm not quite sure why you're pointing this out to me. | You said that hopefully it would teach labels to have some sort of quality control. But that goes against their interest.
With the advent of 'digital only' releases, labels have nothing to lose by just releasing as much as they can find. To sign any single thing people send to them from a commercial perspective. |
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| enydo |
| You must be an intellectual. |
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| kuollutrunkkau5 |
| You must be talking to me. |
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| Goebbel Goebbel |
| welcome trance friend! |
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| Mr.Mystery |
| quote: | Originally posted by kuollutrunkkau5
You said that hopefully it would teach labels to have some sort of quality control. But that goes against their interest.
With the advent of 'digital only' releases, labels have nothing to lose by just releasing as much as they can find. To sign any single thing people send to them from a commercial perspective. |
Again, why are you telling me this? Do you think I didn't know it? |
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| kuollutrunkkau5 |
| quote: | Originally posted by Mr.Mystery
Again, why are you telling me this? Do you think I didn't know it? | Okay, let me turn it around.
If you know this, then you do think that hopefully this will teach labels to have some quality control? |
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| Mr.Mystery |
| quote: | Originally posted by kuollutrunkkau5
Okay, let me turn it around.
If you know this, then you do think that hopefully this will teach labels to have some quality control? |
What I hope and what I know are two different things. |
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| kuollutrunkkau5 |
| quote: | Originally posted by Mr.Mystery
What I hope and what I know are two different things. | Okay, let me phrase it better.
Why do you hope that this specific situation situation will teach labels to have some quality control opposed to other situations? |
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| Mr.Mystery |
| quote: | Originally posted by kuollutrunkkau5
Okay, let me phrase it better.
Why do you hope that this specific situation situation will teach labels to have some quality control opposed to other situations? |
Because it'll end in multiple lawsuits if it won't. |
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| kuollutrunkkau5 |
| quote: | Originally posted by Mr.Mystery
Because it'll end in multiple lawsuits if it won't. | Well, not entirely, that's why Youtube isn't taken down either.
They just have to remove it once it comes under their attention, they have no obligation to invest their times and resources into trying to find out if every demo sent to them isn't under some form of copyright. That would be insane.
Basically, the responsibility is the person that claims copyright. If I claim copyright of some thing to you, and we venture into a business about it together, and later it turns out that I blatantly stole the thing I claimed copyright for, then I and I alone am liable for any damages. As long as you cease your actions at the point you are made aware.
It would be pretty much impossible for any label or business entity to search the entire world to see if it didn't existed before. Just imagine that you had to listen to every track on the planet to see if it didn't already exist when some-one sent you a track as a label.
And of course, 'there is no such thing as bad publicity', I never heard of this label before, and now they get free advertisement on this forum. |
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| Mr.Mystery |
| quote: | Originally posted by kuollutrunkkau5
Well, not entirely, that's why Youtube isn't taken down either. |
How is that the same situation in any way? |
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