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The Lynch Appreciation Thread:: (for the ones that are aware...) (pg. 13)
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| aria_clubber |
| quote: | Originally posted by malek
does he fly every morning to europe to get his coffee:p :p :p :p |
:haha: :haha:
this is a mystery that lynch don't explain in his film :p |
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| Mitsutranza |

:disbelief
edit: I want Naomi :tongue3
MT |
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| malek |
| just seen the last third of CRAZY... damn what an amazing movie. Had the same effect on me as the premiere. |
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| Alex |
Just saw Da Vinci Code, biggest piece of hollywood crap!
Although, believe it or not, out of all the ty "Book to film" pictures Ive seen, its been the most true(accurate) to the book.
(And yes despite popular belief I can read other stuff than TA) |
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| Mitsutranza |
| quote: | Originally posted by Alex
Just saw Da Vinci Code, biggest piece of hollywood crap!
Although, believe it or not, out of all the ty "Book to film" pictures Ive seen, its been the most true(accurate) to the book.
(And yes despite popular belief I can read other stuff than TA) |
I liked the book a lot but everything is blew out of proportion seriously. Everywhere I go ppl are reading Dan Brown and its usually DVC or Angels and Demons...
Every bookstore still has DVC on the bookshelfs in front like 20 X 30 rows of it...its getting pathetic...
And yeah, I heard terrible things about the movie and have no problem of waiting for it on dvd so I could rent it. .
MT |
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| aria_clubber |
| quote: | Originally posted by Mitsutranza

:disbelief
edit: I want Naomi :tongue3
MT |
man everytime i watch this film, i discover something i didnt realize before !!! this movie is soo sick |
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| Alex |
The book was preachy crap, omg Christianity is a sham, omgomgomg.
If this is news to anyone, plz move to mayonaise sandwich eating, bang my sister then marry her (does that make me the daddy and the uncle too?) pricks(hics)ville, bible thumping USA.
On the other hand, I was reminded of how great British comedy can be after watching the Full Monty for the second time, first time was when I was a lot younger and didnt understand the references. Really witty, at times subtle british comedy, not as slapstick as Monty python. (Plus it has Robert Carlyle, omg, Trainspotting). |
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| Mitsutranza |
INT. CONFERENCE ROOM - CENTURY CITY BUILDING - DAY
We see three men sitting at a conference table RAYMOND(RAY)
HOTT -president of production, wearing a crisp blue
suit,VINCENT DARBY -senior vice-president, wearing a crisp
green suit and ROBERT SMITH -talent manager, wearing a crisp
brown suit. Ray and Mr. Darby sit at the head of the table
and Robert Smith sits along the side. A younger man -ADAM
KESHER enters and sits down, with an arrogant nonchalance,
next to Robert Smith. Adam is dressed in a frumpy old
fashioned plaid shirt, worn jacket, dark blue cotton slacks,
and a pair of old brown wing tips. As he sits he is holding
and twirling a vintage "7-iron" golf club.
ADAM
So what's the problem?
RAY
There is no problem.
ADAM
So why did you idiots bring me
here? ... I'm in the middle of making a
picture.
Silence for a moment. A man enters through a rear door and
whispers something to Mr. Darby and shows him something on a
piece of paper. Mr. Darby studies the piece of paper.
MR. DARBY
(to man who entered)
What was it last time?
The man who entered points to something on the paper.
MR. DARBY (cont'd)
Okay, let's try the next one.
The man nods and leaves.
RAY
He isn't gonna like it.
MR. DARBY
We'll see.
ADAM
Hello ... who're we talkin' about here?
Robert Smith shuffles nervously in his chair next to Adam.
ROBERT SMITH
You see Adam... there are some suggestions
which are to be brought forward ... and I
know you said you would entertain
suggestions and that's all anybody here
is asking you to do.
ADAM
What're you talking about?
ROBERT SMITH
An open mind ... You're in the process of
re-casting your lead actress and
I'm... (looks around) We're asking you to
keep an open mind.
The men in dark suits go in as if they owned the place. Ray,
Mr. Darby and Robert Smith stand immediately. Adam remains
seated. Mr. Darby is the only one near enough to attempt a
hand shake, but when he offers his hand it is not taken. The
men in dark suits sit down without wasting a movement and
without acknowledging anyone. One of the men in a dark suit
opens a briefcase. Ray has been trying to make
introductions.
RAY
Ah... the Castigliane brothers. Let me
introduce you around ... please ... sit down.
(after they've already seated
themselves) ... this is Mr. Darby whom you
know and this is the director Adam
Kesher and his manager Robert Smith
The Castigliane brothers do not acknowledge any of this,
however, during the introductions the one with the briefcase
removes a photo of a girl and sets it in front of Ray.
RAY (cont'd)
Ah... she's very pretty.
We see the photo of the girl - of a nice looking blonde -
someone we've never seen before. Adam looks like he doesn't
know what's going on and he's getting upset about not
knowing. His manager, Robert Smith, is beginning to see the
makings of a confrontation - he's starting to panic.
MR. DARBY
(referring to Castigliane
brothers)
May I offer you gentlemen anything?
LUIGI CASTIGLIANE
Espresso.
VINCENZO CASTIGLIANE
Nothing.
ADAM
Uh what's the photo for?
MR. DARBY
(picking up phone and speaking)
One espresso ... no, that's it.
(sets phone down - addresses
Castigliane brothers)
I think you're going to enjoy your
espresso this time... I've been doing
quite a bit of research knowing how hard
you are to please... this one comes highly
recommended.
ADAM
What's the photo for?
RAY
(to Adam)
A recommendation... a recommendation to
you Adam.
VINCENZO CASTIGLIANE
Not a recommendation.
LUIGI CASTIGLIANE
This is the girl.
ADAM
What girl? For what? What is this Ray?
Ray, still standing with a forced smile, turns to the
Castigliane brothers.
RAY
We'd be happy to put her in the pile for
considerations ... you'd be pleased to know
there's quite a lot of interest in this
role.
ADAM
Interest?! There's six of the top
actresses that want this thing.
LUIGI CASTIGLIANE
This is the girl.
ADAM
Ray...you better take care of this.
ROBERT SMITH
Hold on ... hold on, Adam.
ADAM
Hold on!!!!!!!! There's no way, there's
no way!!!
Luigi Castigliane's espresso is brought in by the man who had
been in earlier. The man sets the espresso down in front of
Luigi and takes a step back. The room becomes silent -
watching the Espresso Man and Luigi. Without looking up Luigi
speaks softly.
LUIGI CASTIGLIANE
Napkin.
ESPRESSO MAN
(leading forward to hear)
Pardon?
LUIGI CASTIGLIANE
Napkin.
ESPRESSO MAN
Of course. Excuse me.
The Espresso Man leaves the room. Luigi looks at the
espresso. Vincenzo stares at Adam.
Adam is doing his best to stare down Vincenzo. The Espresso
man returns with a cloth napkin and lays it down next to the
espresso.
ESPRESSO MAN (cont'd)
Will that be all, Sir?
Luigi doesn't answer and after a moment of standing very
still waiting, the Espresso Man turns and leaves the room.
Adam is stared down by Vincenzo and averts his eyes to the
espresso cup. He looks around at Ray and Mr. Darby - seeing
them stare at the espresso cup.
Vincenzo keeps staring at Adam.
Luigi picks up the napkin and holds it in his left hand.
With his right hand he lifts the espresso cup and places it
above the napkin. He brings the cup and napkin to his mouth.
He takes a sip of espresso. A small fleeting expression forms
on Luigi's impassive face as if for one millisecond he is
going to vomit. His mouth opens and he allows the espresso
to fall and dribble onto the napkin. He pushes any remaining
espresso in his mouth out with his tongue. He holds it in
that position for a moment.
LUIGI CASTIGLIANE
Is !
Luigi Castigliane stands up.
RAY
I'm sorry. That was a highly
recommended...
MR. DARBY
That's considered one of the finest
espressos in the world , Sir.
Luigi just stands there. A small thread on his left suit
jacket pocket catches his attention and he smooths it back
into the fabric. Vincenzo closes his briefcase, takes out a
hankerchief and cleans his nose - then stands, placing the
handkerchief back in his pocket.
ADAM
Wait a minute!! What's going on here?
Vincenzo just stares toward Adam as if he's not even there.
ADAM
There's no way that girl is in my movie!
Silence.
LUIGI CASTIGLIANE
That is the girl.
The Castigliane brothers begin to leave. Adam stands up
trembling with anger.
ADAM
Hey!!!!! That girl is not in my film!!!
VINCENZO CASTIGLIANE
(tapping the table)
It is no longer your film.
Adam turns white and stands very still as this sinks in. |
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| Enjoy |
hehe bump
watched couple of movies tonite
requiem for a dream, donnie darko and harold & maude <- this one being fantastic
that is all. |
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| all-nite-freak |
harold and maude is the film that most defines what a dark comedy should be.
classic |
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| malek |
i saw requiem the other day, whats so special about it.
the guy at block buster told me it REALLY disturbing and what not...
bleh. |
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| fastmp3 |
| i remember watchin' requiem for a dream 3 years ago, and that was really disturbing ... |
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