Originally posted by tehlord
Are you blind? It's right there between the donk and the supersaw.
:haha:
Your donk is too big. It's overwhelming the cowbell.
evo8
hah tehlord the GAS is strong I see - lovely studio!
tehlord
It gets worse
New speakers
alanzo
How is this thread still alive? I have nine synths at this time, I'd like to get my hands on the $150 Behringer 303 clone coming out soon and probably their Pro-1 and the Roland JU-06A when those all come out. I'm using headphones for monitoring for the foreseeable future so I'd like to get a pair of Focal headphones in the $300 range and a few others, Behringer has a DT770 knockoff coming out that might be decent.
I'm finally making tracks again, so that's nice. Hopefully I'll put together a compilation of some sort, five tracks and ship it off to some labels until a decent fish bites.
Roland JP8000, Behringer Deepmind 6, Moog Slim Phatty, Behringer Model D, Roland SH-01A, Nord Rack 3, Roland JP-08, DSI Tetra, JX-03 (not pictured). Focusrite 18i8 and my trusty Sony MDR-7506s, also a beer and a baby monitor (he's ten months old). Enough synths where I can have them all feed live into the DAW and make a complete track, with maybe some VSTi backup.
Mel David
🦉 Self-publish using CDBaby or Distrokid. It's not always advantageous to be signed to a label. They basically end up owning your intellectual property. Check out the Taylor Swift vs Scooter Brawn feud. If your music is the bomb, labels will contact you. eg. Ministry of Sound may want to license your track for one of their compilation releases.
Originally posted by Mel David
🦉 Self-publish using CDBaby or Distrokid. It's not always advantageous to be signed to a label. They basically end up owning your intellectual property. Check out the Taylor Swift vs Scooter Brawn feud.
Yeah, maybe. In my experience the label is always better than I am at getting a track in good hands. I guess it depends on who I can get to sign things, at this point i'm only at 1 track complete and a 2nd is almost done so it'll be a while yet.
alanzo
quote:
Originally posted by tehlord
The cynic project!? what decade is this?
tehlord
quote:
Originally posted by alanzo
The cynic project!? what decade is this?
Originally posted by Mel David
🦉 Self-publish using CDBaby or Distrokid. It's not always advantageous to be signed to a label. They basically end up owning your intellectual property. Check out the Taylor Swift vs Scooter Brawn feud. If your music is the bomb, labels will contact you. eg. Ministry of Sound may want to license your track for one of their compilation releases.
I know I'm super late, but CDBaby and Distrokid not publishers. They're distributors, and the money they collect on your behalf has nothing to do with publishing or royalties from publishing. CDBaby offers publisher administration services at an extra cost, and I think that service is powered by SongTrust or Audiam (I don't remember which one).
One advantage to putting out the music yourself with Distrokid, or CDBaby is that you can put the music out when ever you want, and no one is going to turn you down. The problem is... That all the marketing and promotion is on you. If you're ok with your song have 3 or 4 streams on Spotify after it being up for a year or what ever, then go for it. So have a marketing/promo plan for several releases in place first, then sign up with a distributor and put music out.
sr126
quote:
Originally posted by cryophonik
Needs more cowbell :rolleyes:
:eyes::eyespop:
Congrats on the awsome set up! Bravo!
Beatflux
quote:
Originally posted by Mel David
🤠 Dua Lipa's tidy setup.
