return to tranceaddict TranceAddict Forums Archive > DJing / Production / Promotion > Production Studio

Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 [547] 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 
WIP thread (DJRYAN now allowed to post tracks) (pg. 547)
View this Thread in Original format
Sushipunk
quote:
Originally posted by zsm
shiiet got locked out of my other account.


Kinda late here, but oh hai mate.

Do you want me to get your MSZ password from Swamper?
Mel David
quote:
Originally posted by gordan100
More sustained bass and piano, not very creative lately



🦉 I like the solid kick & sub bass. The snare does sound a tad lo-fi. Surely you can find a better snare sample & a hi-hat or shaker pattern as well. But it's promising & kudos for posting the entire track unlike some of the shy boys above.
gordan100
Thanks for all your comments guys

I've cleaned it up a bit

Storyteller
quote:
Originally posted by TranceLover007

Which key is this track in?


I missed this one earlier. I know nothing about music theory so I'm guessing Emaj or something similar.
TranceLover007
quote:
Originally posted by gordan100
Thanks for all your comments guys

I've cleaned it up a bit




Really nice work Gordan, this calmness in your production is like velvet in touch man - got yourself something worth going around for shopping lol

Cheers,

Darek
Sushipunk
quote:
Originally posted by zsm
hi and no need its fine :} i feel fresh this way. :p


Alrighty then. Hope you're well mate!
SystematicX1
quote:
Originally posted by gordan100
Thanks for all your comments guys

I've cleaned it up a bit



I want to throw this out there because your work on this track is worth it.
I do hear a difference and now that I am hearing a cleaner tone in the percussion it has now exposed another muddy element (Gotta love that eh)
It is that initial Arp that is muddy and is battling your sub frequencies. Which, listening again to the sub seems to need some "clarifying" cleanup as well. Curious question, is your Sub in Kick mono? I am getting some widening there that "shouldn't" be. Wondering if some sidechain compression might help on that
Mel David
🦉 Side-chaining kick & bass should always be done if they are occupying similar frequencies in the mix. This helps the kick punch through. If you want the effect less audible, a multi-band compressor can be used so that you are only ducking 20-90 Hz of the bassline.

Have you tried to cut a bit of the low frequency of the arp pattern or transposing it an octave or +5 or some other interval? Some mix engineers hi-pass almost everything just to make sure there are no unnecessary low frequencies, which may not be audible on one track but accumulates across many tracks.



Also worth a try: duplicate that arp pattern & change the notes to be kick drums & use this for the compressor sidechain trigger. This pattern's audio is not routed to the main mix output, only the compressor to act as a trigger. May have to fiddle with the lengths of the MIDI notes & the release & attack time of the compressor.

Duplicate the main melody & use strings so you've got two layers now which will help to differentiate it from the arp pattern.
TranceLover007
Just another WIP for my collection lol - I know that one day I will have to start to releasing some of them but as of right now I'm going through with some of my ideas and later pick the best ones.


Cheers,

Darek


SystematicX1
quote:
Originally posted by TranceLover007
Just another WIP for my colection lol - I know that one day I will have to start to releasing some of them but as of right now I'm going through with some of my ideas and later pick the best ones.


Cheers,

Darek




Damn you D!!! ::sigh:: I seriously wish you guys would stop with this. Between YOU and Story putting up these freakin bomb ass finished tracks, how about you guys share your methods.
I mean, like you guys need ANY critiquing,screw that....teach us of our lost ways...lol
Good D, as always lol :rolleyes:

TranceLover007
quote:
Originally posted by SystematicX1
Damn you D!!! ::sigh:: I seriously wish you guys would stop with this. Between YOU and Story putting up these freakin bomb ass finished tracks, how about you guys share your methods.
I mean, like you guys need ANY critiquing,screw that....teach us of our lost ways...lol
Good D, as always lol :rolleyes:


Lol - appreciate man, you are to kind :D

As far as my production technique - what would you like to know?

Darek
SystematicX1
quote:
Originally posted by TranceLover007
Lol - appreciate man, you are to kind :D

As far as my production technique - what would you like to know?

Darek


You know actually man, it isn't really a specific thing or even an area.
One thing I have appreciated here on the production forum over the years is the fact that no matter what state the track was, producers here broke it down, for anyone hence the real purpose of this thread

For me, it has always been a kind of reverse psychology. When a true WIP walks in here I have always tried to lend an "ear" and remained perfectly biased.
When I can, I try to break down every aspect of the problem issue in order to come to a pleasing result from the artist.
Fact is, I learn from others track mistakes and oddly enough when I run into areas like that on my tracks, I know what not to do.
So, my whole point is this...
You guys put up these freakin polished mastered bangers that are already complete. And although I really dig and admire your guy's work, I don't learn from it. I have heard WIPs from you guys that sounded really messed up (as they all are). But when I see what you say about what YOU think your track state is in and then I see someone posting something completely different... Well,they are not wrong, it is just a different set of perspective. And this is how I learn,personally.
Gah, this is probably not making any sense and I do apologize D. It isn't meant as a rail only a very light hearted poke lol
CLICK TO RETURN TO TOP OF PAGE
Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 [547] 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 
Privacy Statement